1 Who is the speaker in the poem? An adult woman talking to her nine-year-old daughter An adult woman talking to a friend A nine-year-old addressing her older self An adult woman addressing the memory of her younger self 2 What perspective does the poem use? first-person second-person both first- and second-person third-person omniscient 3 Describe the construction of the poem's stanzas. Six quintains Six stanzas of varying length Six tercets Seven stanzas of varying length 4 What collection was this poem originally published in? Glad of These Times, published in 2006 Out of the Blue, published in 2001 Glad of These Times, published in 2007 The Malarkey, published in 2012 5 Which best describes the significance of the change in number of lines per stanza? All the stanzas have the same amount of lines. The poem is composed of quatrains. All the stanzas have the same amount of lines. The poem is composed of tercets. The number of lines increase as the adult speaker reminisces about the past and attempts to connect with her younger self. When she realizes she cannot change anything, the number of lines per stanza decrease. The number of lines decrease as the adult speaker reminisces about the past and attempts to connect with her younger self. When she realizes she cannot change anything, the number of lines per stanza increase. 6 Which best describes why the speaker can't be friends with her nine-year-old self? They have nothing in common beyond a few shared years. The girl dislikes adults. The speaker hates children, particularly the child she was. The girl only exists in the speaker's memory. 7 Which of the following is a simile? “careful of a bad back or a bruised foot” (Line 7) “That dream we had, no doubt it's as fresh in your mind / as the white paper to write it on” (Lines 12-13) "You must forgive me" (Line 1) "time to hide down scared lanes / from men in cars after girl-children" (Lines 23-24) 8 Which best describes the tone of the poem? Melancholy, Ironic, and Bitter Nostalgic, Reflective, and Conversational Accepting, Dreamy, and Loving Nostalgic, Hypercritical, and Abrasive 9 What quality most differentiates the nine-year-old from her future self? Abrasiveness Fearlessness Her bookishness Her ability to focus on things 10 What does "perplexed" mean? surprised flabbergasted baffled, uncertain amazed, astonished 11 What is a vole? a small, typically burrowing, mouse-like rodent a green-brown reptile a musical instrument an apparatus used in gymnastics 12 What is symbolic about cesspits? It is a place where snakes nest Sewage exposure is harmful to human health It is a place where society dumps waste Sewage can damage the environment 13 Which of the following is an example of metonymy? scared lanes tuppence spoiled girl-children 14 Which of the following is a transferred epithet? scared lanes ice-lolly factory girl-children leap from a height 15 What is the climax of the poem? When the speaker departs from her nine-year-old self as the child picks a scab and tastes it When the speaker's younger self hides down scared lanes from men in cars after girl-children When the speaker states that she cannot be friends with her nine-year-old self When the child builds a den beside a cesspit 16 What do scars symbolize to the speaker? Resilience Unhealed wounds Lessons learned from past physical mistakes Pride 17 What does summer symbolize? a time of hope, renewal, and rebirth a time of struggle because of drought a time of lushness, freedom, and prime of life a period of intense cold, as the poem takes place in the Southern Hemisphere 18 What is the nine-year-old girl's favorite activity? Picking rosehips Leaping from a height Balancing on her hands Writing 19 What does leaping represent in the poem? Clumsiness. Childhood wonder. Fearing the unknown. Childhood naivety. Taking risks. Childhood naivety. The ability to have fun and enjoy life. 20 What does the speaker mean when she says, "I have spoiled this body we once shared?" The speaker lost her fearlessness as she aged. She now has scars and moves carefully. The speaker ate too many sherbet lemons. The speaker treated herself too nicely and now she it spoiled. Age has inevitably changed the speaker's body. 21 Which line has a more defined rhythm? "I have spoiled this body we once shared" (Line 6) "Time to pick rosehips for tuppence a pound" (Line 22) "I'd like to say we could be friends" (Line 19) "created an ice-lolly factory, a wasp trap" (Line 17) 22 What is significant about the final image of the poem? The speaker's younger self peels a scab and eats it. She cries and the speaker comforts her. The speaker's younger self peels a scab and eats it. This contrasts the scars the speaker has as an adult. The speaker's younger self peels a scab and eats it. This contributes to the scars she will later have. The speaker's younger self peels a scab and eats it. This contributes to her spoiling her body as an adult 23 How does the final image fit in the grand scheme of Dunmore's writing? Dunmore often writes about children eating their scabs. Dunmore herself is the speaker addressing her nine-year-old self. Dunmore's work is environmentally concerned. Dunmore often writes sensuous details about eating. 24 Why did the speaker lose her fearlessness? The speaker broke her leg falling from a height. The speaker had a traumatic encounter with a man. It is not specified. It could be the maturity that comes with age, or perhaps something traumatic occurred. The speaker did not lose her fearlessness. She is still agile and carefree as an adult. 25 How do clouds appear in the poem? It is often cloudy in Britain, where the poem takes place. The speaker is worried clouds will appear in her younger self's summer morning. The speaker does not want to "cloud" her younger self's summer morning. Clouds do not appear in the poem.