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Ann Radcliffe. The Mysteries of Udolpho. Oxford: Oxford University Press, 2008.
Poovey, Mary. “Ideology and ‘The Mysteries of Udolpho.'" Criticism, vol. 21, no. 4, 1979, pp. 307-30.
MacKenzie, Scott. “Ann Radcliffe's Gothic Narrative and the Readers at Home.” Studies in the Novel, vol. 31, no. 4, 1999, pp. 409-31.
Whiting, Patricia. “Literal and Literary Representations of the Family in The Mysteries of Udolpho.” Eighteenth Century Fiction, vol. 8, no. 4, 1996, pp. 485-501.
Ledoux, Ellen Malenas. "DEFIANT DAMSELS: GOTHIC SPACE AND FEMALE AGENCY IN EMMELINE, THE MYSTERIES OF UDOLPHO AND SECRESY." Women's Writing, vol. 18, no. 3, 2011, pp. 331-347.
Fawcett, Mary Laughlin. “Udolpho's Primal Mystery." Studies in English Literature, vol. 23, no. 3, 1983, pp. 481-94.
The Mysteries of Udolpho Questions and Answers
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B. The description “as she surveyed through the twilight its desolation” indicates the castle is filling Emily with uneasiness because it looks like a place that breeds solitude and despair.
C. The story is disturbing to Emily because she already feels alone and afraid, and Annette’s story reaffirms Emily’s fears and apprehension about her new life in the desolate castle.