The Boat

The Boat Literary Elements

Genre

Collection of short stories

Setting and Context

Vietnam, Australia, the United States, Colombia, Japan, Iran

Narrator and Point of View

First-person and third-person perspectives, depending on the story.

Tone and Mood

Thoughtful, dark, and sometimes graphic.

Protagonist and Antagonist

These vary by story.

Major Conflict

Changes from story to story, but the main conflict of the stories generally concerns identity and familial relationships.

Climax

Changes from story to story. Many of the stories' climaxes involve violence or death.

Foreshadowing

Le foreshadows the final story of the collection, "The Boat," in the first story about his experiences at the Iowa Writer's Workshop.

Understatement

Both "Hiroshima" and "The Boat" are told from the perspective of children, who do not fully understand the magnitude of the historical events of which they are a part.

Allusions

N/A.

Imagery

Le uses vivid imagery to give the reader a sense of the unique settings of the stories and the experiences of the characters. He often includes graphic details about the physical bodies of characters. See the separate "Imagery" section of this ClassicNote for more details.

Paradox

In "The Boat," the narrator points out the paradox of being surrounded by water yet dying from dehydration.

Parallelism

There are parallels between the characters in many of the stories. For example, Jamie's mom and Henry are both painters who have strained relationships with their children.

Metonymy and Synecdoche

N/A.

Personification

In "Hiroshima, Mayako says that the radio is sick—when, in fact, the signal is scrambled.