1 What is the speaker literally doing in the beginning of the poem "Threshold?" Kneeling in prayer Kneeling and watching his father shower through a keyhole Kneeling to tend to a garden Kneeling to perform a sex act 2 What detail early on in "Threshold" does NOT foreground the speaker's fascination with the body? His note that he was watching "the rain / falling through [his father]" rather than anything else The fact that the poem begins with "In the body" The speaker's description of himself as a "beggar" The speaker's claim that his father's voice "filled [him] to the core / like a skeleton" 3 Which recurring image is introduced in "Threshold" to describe the speaker's father? The image of the knife The image of fire The image of guitar strings The image of the colt 4 Which formal detail in "Threshold" most suggests that the speaker has fully "enter[ed] a song" by the poem's end? The repetition of the "So I" construction at the poem's close The fact that the speaker's eyes are "wide open" The anadiplosis of "So I lost. / I lost it all with my eyes" The move from couplets, which suggest equivocation, to a singleton line at the end 5 What effect is created for the collection as a whole by separating "Threshold" from the other poems? It frames "Threshold" as a kind of threshold in itself, separating readers' own lives from the deep dive they are about to undertake into the speaker's inner meditations. It frames "Threshold" as the most important poem in the collection. It is done primarily without intention and is mostly coincidental. It turns "Threshold" into an introduction, which is important for the way the poem focuses on the speaker's sex life. 6 Which formal element in "Telemachus" emphasizes the transformation of the place the speaker and his father left behind? The fact that the sand is "white" and not the color of local sands in the speaker's home The erasure of the trail left by the father's knuckles in the sand The enjambments after "city" and "bombed," which formally separate the places as they were from the places as they are now The speaker's focus on trying to be a good son 7 Which of the following is NOT a feature of "Telemachus" that emphasizes the speaker's estrangement from his father? The speaker's comparison of the father to "a green bottle" That the speaker's question of "Do you know who I am / Ba?" receives no answer That the speaker's father has been shot The father's stillness, which makes the speaker think "he could be anyone's father" 8 Which of the following is NOT a way that the speaker tries to connect with his father at the end of "Telemachus"? He takes on his father's pain of drowning and sets to work on it. He gives his father a tight hug. He recognizes that he will figuratively wear his father's face to kiss his lover goodnight. He kisses his father on the lips. 9 Which of the following is most likely the figurative implication of the "faithful work of drowning"? The speaker's desperate desire to connect with his father The framing of the speaker's father as a role model The inheritance of generational trauma from his father, possibly related to war or the immigrant experience The idea that dying is a holy exercise, despite its pain 10 Which of the following is NOT a motif that appears in "Aubade with Burning City" in the stanza that begins "His fingers running the hem"? The fact of sexual violence The idea that unity between two people can be achieved through the body The idea of the body as susceptible to ignition or intense, destructive passion The idea that, even against backdrops of violence, tenderness and love crop up 11 Which of the following is NOT a device used by Vuong in "Aubade with Burning City" to emphasize the ruination occurring in the scene? The intense formal variation that give the impression of disarray The contrast between the destruction and the lyrics of "White Christmas" The image of the sprig of magnolia expanding The alliteration in phrases like "snow scraping" and "snow shredded" 12 Which of the following is not a moment in "Aubade with Burning City" where the form mirrors the content? The enjambment between "facedown in a pool of Coca-Cola" and "A palm-sized photo" The white space that intrudes between "A helicopter lifting the living just" and "out of reach" The white space that is created in the enjambments and indentation around "The city so white it is ready for ink" The enjambment separating "curtain of snow" from "falling from her shoulders" 13 What is the irony of the use of the song "White Christmas" to signal American evacuation from Saigon? The song was penned by a Vietnamese author in America. The song had earlier been used a signal to evacuate beaches in WWII. Saigon is a city that almost never receives snowfall, least of all in April. The song was penned by an American author in Vietnam. 14 Which of the following is NOT a means by which Vuong connects the lovers to the scene of destruction in "Aubade with Burning City"? The male lover's explicit comment that his "brothers have won the war" The use of the "Open, he says" construction to refer to both the lovers and the burning nun That the male lover is the traffic guard who "unstraps his holster" The repetition of "milkflower petals" to evoke both the girl's dress and the petals on the dog in the street 15 What does the sudden intrusion of god at the end of "Aubade with Burning City" suggest? God has sanctioned the violence occurring in Vietnam. Even against the backdrops of violence and pain, there is still room for man's interaction with the divine, however desolate. God is totally indifferent to the scene but stops by out of chance. God wishes to have the nun sexually. 16 Who are the lovers addressed in "A Little Closer to the Edge"? The speaker's mother and father The speaker and a woman he loves The two lovers from "Aubade with Burning City" Adam and Eve 17 What does the line about the man's "faux Rolex" tell us in "A Little Closer to the Edge"? The speaker's father will ultimately abuse his mother. The speaker's father works in counterfeiting. The speaker's father is a man of means. The speaker's father is gifting the watch to the mother. 18 In "A Little Closer to the Edge," what does the line beginning "In this verison" allude to? The story of the Binding of Isaac The story of the farmer and the snake The story of Buddha's enlightenment The story of the Garden of Eden 19 Which formal detail does NOT mimic the sexual activity between the speaker's parents in "A Little Closer to the Edge"? The fact that the poet is written in unbroken couplets The "black teeth" at the beginning of the poem The repeated use of apostrophe to simulate moans of pleasure ("O") The abruptness of the em dash after "press / into her" 20 In "A Little Closer to the Edge," which two motifs meet at the poem's end? The motif of the Bible and the recurring image of the horse The motif of the Bible and the motif of the seasons The recurring image of the horse and the motif of the color red The motif of the seasons and the recurring image of the horse 21 Which of the following is NOT a Biblical image in "A Little Closer to the Edge"? The presence of the snake The presence of the hand/clock hand duality The presence of apples at the poem's close The making of "home / out of hip bones" 22 Which country did Ocean Vuong's family live in while waiting to immigrate to the United States? China Australia The Philippines New Zealand 23 In which city did Ocean Vuong's family ultimately settle? Hartford, Connecticut Boston, Massachusetts New York, New York Providence, Rhode Island 24 How did Ocean Vuong get his name? His father suggested it on their journey to the United States. His grandmother loved sitting by the ocean as a girl. He chose the name for himself. His mother was moved by the definition of the word after learning it from a client. 25 Which religion is Ocean Vuong a practitioner of? Catholicism Zen Buddhism Judaism Protestant Christianity