Invictus

The power of storytelling in Ransom and Invictus 12th Grade

David Malouf’s Ransom and Clint Eastwood’s Invictus signify the powerful force of storytelling through the portrayal of their characters. In his adaptation of Homer’s Illiad, Malouf and Eastwood concede that stories can be manipulated, alluding to their reformed retelling of true events. Furthermore, both authors champion the compelling force of storytelling in reconciling polarised individuals. However, where Eastwood portrays a linear progression of events, the contrasting storytelling technique in Ransom, alludes to broader beliefs about chance and fate. Predicated upon the crises of the past, Eastwood and Malouf highlight that stories can be distorted by the storyteller. Through the lens of Post-Apartheid South Africa, Eastwood adopts a utopic portrayal of Mandela and Pienaar, while Malouf depicts a more cynical perspective of human disposition in the midst of the Trojan war.

In Invictus, Eastwood maintains an idyllic vision of the human desire to unify polarised individuals, and thus quells the innate tendency to gain reprisal. The character of Pienaar functions as a vehicle to Mandela’s visionary policies which epitomise his sentiment that ‘revenge is futile,’ while the inability to ‘forgive’ only reinforces the ‘cycle of...

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