If on a Winter's Night a Traveler
Boundaries of Style: Author, Writer, Reader, and Narrator
So here you are now, ready to attack the first lines of the first page. You prepare to recognize the unmistakable tone of the author. No. You don’t recognize it at all. But now that you think about it, who ever said this author had an unmistakable tone? On the contrary, he is known as an author who changes greatly from one book to the next. And in these very changes you recognize him as himself. Here, however, he seems to have absolutely no connection with all the rest he has written, at least as far as you can recall. Are you disappointed? Let’s see. Perhaps at first you feel a bit lost, as when a person appears who, from the name, you identified with a certain face, and you try to make the features you are seeing tally with those you had in mind, and it won’t work. But then you go on and you realize that the book is readable nevertheless, independently of what you expected of the author, it’s the book in itself that arouses your curiosity; in fact, on sober reflection, you prefer it this way, confronting something and not quite knowing yet what it is.
-- Italo Calvino’s If on a Winter’s Night a Traveler, pg. 9
Contemporary philosophers habitually turn to the “short paper” as the form for a wide variety of arguments. These...
Join Now to View Premium Content
GradeSaver provides access to 934 study guide PDFs and quizzes, 7488 literature essays, 2119 sample college application essays, 310 lesson plans, and ad-free surfing in this premium content, “Members Only” section of the site! Membership includes a 10% discount on all editing orders.
Already a member? Log in