Chronicle of a Death Foretold
Fate the Hero and Santiago the Victim College
There are a copious of characters that play some vital role in Chronicle of a Death Foretold – minor or major – that individually pose as an example or symbol for a theme or idea. Consider the bishop, who only appears momentarily in the beginning of the story to cross himself from a distance. His behavior is befitting that of a religious figure, who neither shows passion nor concern for his duty to the masses as a representative of God. Observe Bayardo San Roman’s sisters who cry excessively to hide their shame of his failed marriage; highlighting the importance of keeping up appearances for the public eye. The colonel as well, plays a significant role in his meek attempt at stopping the twins from killing Santiago. In spite of his position of authority, the colonel evidently places society and tradition first before his duty to the law, thus exemplifying the corruption prevalent in the society’s jurisdiction.
With all of these examples, it is manifest that the novella is rich with meaning, as even the smallest of roles contribute to illustrate a concept or subject matter present in the story. However, the question used to instigate this analysis is, among all of these characters, are there any winners in Gabriel Garcia Marquez...
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