What do you think Mond means when he says, "Actual happiness always looks pretty squalid in comparison with the overcompensations for misery"? Is this true? (ch.16 or 17)
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Mustapha argues that the old is unnecessary because it contains destabilizing passion and emotions. Stability is the highest virtue because it leads to happiness, and old things like Shakespeare cannot exist since they do not lead to happiness. Mond also insists that the old things cannot be created in the new world because tragedies like Othello or Romeo and Juliet are the products of tension in society. If tension does not exist, neither can tragedy. Instead, all the new feelies and shows must be about nothing, since happiness occurs most easily when one experiences pure sensation rather than emotion.