Deconstructive and New Historical Criticism of Bleak House
Bleak House, a novel by the Victorian novelist Charles Dickens, has a number of elements: comedy, tragedy, melodrama, romance, and biting social satire. The work also includes at least ten major characters, and scores of minor ones. The novel's complexity and length lends itself quite easily to a number of critical interpretations, including feminist, Marxist, and psychoanalytic theories. In the following paper, this argument will focus on a deconstruction of certain aspects of the novel, especially Dickens' names for characters, and on a new historical approach of literary criticism of the satirical attacks on the Chancery justice system of Dickens' day. Dickens' awareness of the richness and variability of language, and his willingness to question the social institutions and customs of his day, both lead the reader to consider these theoretical approaches.
Dickens employs a host of musical, comical, telling, and puzzling names for his characters. A representative list includes Tulkinghorn, Clare, Summerson, Dedlock, Snagsby, Nemo, Krook, Flite, Tangle, Barbary, Rouncewell, Jarndyce, Skimpole, Vholes, Woodcourt, Smallweed, Turveydrop, Guppy, Boythorn, Jellyby, Badger, Bucket, and even the minimally named Jo. The...
Join Now to View Premium Content
GradeSaver provides access to 931 study guide PDFs and quizzes, 7472 literature essays, 2115 sample college application essays, 310 lesson plans, and ad-free surfing in this premium content, “Members Only” section of the site! Membership includes a 10% discount on all editing orders.
Already a member? Log in