Anna Christie Sources and ClassicNote Author

Westgate, J. Chris. “O’Neill’s ‘Damned Unconventional’ Play from the Prohibition Years: ‘Anna Christie.’” The Eugene O’Neill Review, vol. 33, no. 1, 2012, pp. 56–70.

Garvey, Sheila Hickey. “Anna Christie and the ‘Fallen Woman Genre.’” The Eugene O’Neill Review, vol. 19, no. 1/2, 1995, pp. 66–80.

Brietzke, Zander. “Tragic Vision and the Happy Ending in ‘Anna Christie.’” The Eugene O’Neill Review, vol. 24, no. 1/2, 2000, pp. 43–60.

Boulos, Daniel. “‘Anna Christie,’ Chris Christophersen, and Dat Ole Davil Broadway.” The Eugene O’Neill Review, vol. 36, no. 2, 2015, pp. 176–93.

Codde, Philippe. “‘Dat Ole Davil, Sea’: Cowardice and Redemption in Eugene O’Neill’s ‘Anna Christie.’” The Eugene O’Neill Review, vol. 22, no. 1/2, 1998, pp. 23–32.

Thornton, Ryder. “Anna and The Antichrist: Nietzsche, Christian Symbolism, and Vedantic Philosophy in ‘Anna Christie.’” The Eugene O’Neill Review, vol. 37, no. 2, 2016, pp. 145–63.

Flory, Claude R. “Notes on the Antecedents of Anna Christie.” PMLA, vol. 86, no. 1, 1971, pp. 77–83.

Westgate, J. Chris. “Staging the ‘Poor, Wicked Lot’: O’Neill’s Rebuttal to Fallen Woman Plays.” The Eugene O’Neill Review, vol. 28, 2006, pp. 62–79.

Holmberg, Arthur. “Fallen Angels at Sea: Garbo, Ullman, Richardson, and the Contradictory Prostitute in ‘Anna Christie.’” The Eugene O’Neill Review, vol. 20, no. 1/2, 1996, pp. 43–63.

Johnson, Katie N. “‘Anna Christie’: The Repentant Courtesan, Made Respectable.” The Eugene O’Neill Review, vol. 26, 2004, pp. 87–104.