1 How many different kinds of pain are listed in this poem? 4 2 5 3 2 What kind of literary element is "fouled tunes" (line 4)? metaphor simile allegory comparison 3 What does "wretched" most likely mean in the context of line 6? lovely and beautiful promiscuous foul, disgusting physically appealing 4 What does Baraka mean by "without shadow, or voice, or meaning" when referring to the "hard flesh" that he touches in Stanza II? He is interacting with their flesh but has no contact with their souls They are dead bodies They are actually robots They are monsters 5 What traps the speaker of the poem? He is being held captive by a horde of men His own flesh, which is made into an object by society A factory that he cannot escape The confines of jail 6 What is the first kind of pain listed in this poem ("As now, as all his / flesh hurts me")? the torture of being stuck inside your body that is not a part of who you actually are being touched with someone that has very rough hands having a skin condition that makes skin-to-skin contact painful jumping into a vat of acid 7 What is the second kind of pain given in this poem ("As when she ran from me into / that forest")? worry that she will be eaten by monsters in the forest pain of the unknown pain of abandonment and loss of love not being able to run 8 What goes "higher than even old men thought / God would be" (Stanza V)? the devil the mind a helicopter a bird 9 Who turns out to be a "self, after all" (Stanza VI)? the "lost soul" the speaker the devil God 10 What kind of literary element is "whithered yellow flowers" in Stanza V? simile hyperbole metonymy metaphor 11 How is beauty practiced in Stanza V? through nature, like trees and a river through poetry through the separation between soul and body through pain 12 What does the speaker *actually* live inside? his body his home human love New York City 13 What can the speaker be recognized as? his height and weight where he lives words and emotion his facial features 14 What has no feeling in Stanza VIII? metal the body the soul words 15 What is left screaming by the end of the poem? the "lost soul" the speaker's lover everyone the soul that is trapped inside of its body 16 Based on textual evidence, who could be the "lost soul" the speaker refers to in Stanza V? Jack Kerouac white people Baraka's first wife, Hattie Jones the person the speaker abandoned in a past life 17 What kind of literary element is "blind" (Stanza V)? metaphor simile onomatopoeia hyperbole 18 What kind of literary device is used in "silver, spiraled, whirled" (Stanza V)? metonymy alliteration assonance onomatopoeia 19 What does "corrupt" most likely mean in the context of line 35? debased/depraved healthy together complete 20 What is the closest definition of "gale" in the context of Stanza VI? a courtyard a type of bridge a forest a windy place 21 What kind of associations come up with the actions of "the cold men in their gale" in Stanza VI? religion, sacredness, awe harmony, unity, peace fear, death, destruction ritual, conformity, collectivity 22 In other words, what do the speaker's enemies do to him in Stanza III? kill him carry him in a ritualistic procession as if preparing him for sacrifice offer him the tools necessary to have a successful life make him read lots of books and expand his mind 23 Why does the speaker call flesh "an abstraction" is Stanza III? his flesh has been cut up and deformed through torture someone's flesh is often obstructed by clothing bodies are very beautiful and often the skin looks like a work of art any perception of the body is influenced by societal conventions 24 What "glows as the day with its sun" (Stanza VII)? flesh, symbolized by metal that is so hot it becomes white God the gale that the cold men are living in the sky 25 Why might have Baraka chosen to repeat "the yes" the times in Stanzas V-VI? because it sounds cool it creates a repetition of rhythm and speeds up the meter towards the climax of the poem; also helps the poem sound more musical to really emphasize what he is referring to to bring up different kinds of "yes"