1 How many different kinds of pain are listed in this poem? 3 4 5 2 2 What kind of literary element is "fouled tunes" (line 4)? simile metaphor allegory comparison 3 What does "wretched" most likely mean in the context of line 6? lovely and beautiful physically appealing promiscuous foul, disgusting 4 What does Baraka mean by "without shadow, or voice, or meaning" when referring to the "hard flesh" that he touches in Stanza II? They are dead bodies They are monsters He is interacting with their flesh but has no contact with their souls They are actually robots 5 What traps the speaker of the poem? He is being held captive by a horde of men His own flesh, which is made into an object by society The confines of jail A factory that he cannot escape 6 What is the first kind of pain listed in this poem ("As now, as all his / flesh hurts me")? having a skin condition that makes skin-to-skin contact painful being touched with someone that has very rough hands jumping into a vat of acid the torture of being stuck inside your body that is not a part of who you actually are 7 What is the second kind of pain given in this poem ("As when she ran from me into / that forest")? pain of abandonment and loss of love pain of the unknown worry that she will be eaten by monsters in the forest not being able to run 8 What goes "higher than even old men thought / God would be" (Stanza V)? a helicopter a bird the devil the mind 9 Who turns out to be a "self, after all" (Stanza VI)? God the devil the "lost soul" the speaker 10 What kind of literary element is "whithered yellow flowers" in Stanza V? metaphor hyperbole metonymy simile 11 How is beauty practiced in Stanza V? through poetry through the separation between soul and body through nature, like trees and a river through pain 12 What does the speaker *actually* live inside? his home his body human love New York City 13 What can the speaker be recognized as? where he lives words and emotion his facial features his height and weight 14 What has no feeling in Stanza VIII? metal the body words the soul 15 What is left screaming by the end of the poem? the "lost soul" the soul that is trapped inside of its body the speaker's lover everyone 16 Based on textual evidence, who could be the "lost soul" the speaker refers to in Stanza V? white people Jack Kerouac the person the speaker abandoned in a past life Baraka's first wife, Hattie Jones 17 What kind of literary element is "blind" (Stanza V)? hyperbole simile metaphor onomatopoeia 18 What kind of literary device is used in "silver, spiraled, whirled" (Stanza V)? alliteration metonymy assonance onomatopoeia 19 What does "corrupt" most likely mean in the context of line 35? debased/depraved healthy together complete 20 What is the closest definition of "gale" in the context of Stanza VI? a courtyard a type of bridge a forest a windy place 21 What kind of associations come up with the actions of "the cold men in their gale" in Stanza VI? religion, sacredness, awe ritual, conformity, collectivity fear, death, destruction harmony, unity, peace 22 In other words, what do the speaker's enemies do to him in Stanza III? make him read lots of books and expand his mind carry him in a ritualistic procession as if preparing him for sacrifice kill him offer him the tools necessary to have a successful life 23 Why does the speaker call flesh "an abstraction" is Stanza III? someone's flesh is often obstructed by clothing bodies are very beautiful and often the skin looks like a work of art any perception of the body is influenced by societal conventions his flesh has been cut up and deformed through torture 24 What "glows as the day with its sun" (Stanza VII)? the sky the gale that the cold men are living in God flesh, symbolized by metal that is so hot it becomes white 25 Why might have Baraka chosen to repeat "the yes" the times in Stanzas V-VI? to really emphasize what he is referring to because it sounds cool it creates a repetition of rhythm and speeds up the meter towards the climax of the poem; also helps the poem sound more musical to bring up different kinds of "yes"