1 How many different kinds of pain are listed in this poem? 5 2 3 4 2 What kind of literary element is "fouled tunes" (line 4)? metaphor allegory comparison simile 3 What does "wretched" most likely mean in the context of line 6? foul, disgusting physically appealing promiscuous lovely and beautiful 4 What does Baraka mean by "without shadow, or voice, or meaning" when referring to the "hard flesh" that he touches in Stanza II? He is interacting with their flesh but has no contact with their souls They are monsters They are dead bodies They are actually robots 5 What traps the speaker of the poem? A factory that he cannot escape He is being held captive by a horde of men The confines of jail His own flesh, which is made into an object by society 6 What is the first kind of pain listed in this poem ("As now, as all his / flesh hurts me")? the torture of being stuck inside your body that is not a part of who you actually are jumping into a vat of acid having a skin condition that makes skin-to-skin contact painful being touched with someone that has very rough hands 7 What is the second kind of pain given in this poem ("As when she ran from me into / that forest")? not being able to run pain of abandonment and loss of love worry that she will be eaten by monsters in the forest pain of the unknown 8 What goes "higher than even old men thought / God would be" (Stanza V)? the devil a helicopter the mind a bird 9 Who turns out to be a "self, after all" (Stanza VI)? God the devil the "lost soul" the speaker 10 What kind of literary element is "whithered yellow flowers" in Stanza V? metaphor hyperbole metonymy simile 11 How is beauty practiced in Stanza V? through poetry through pain through nature, like trees and a river through the separation between soul and body 12 What does the speaker *actually* live inside? his body his home human love New York City 13 What can the speaker be recognized as? his facial features words and emotion where he lives his height and weight 14 What has no feeling in Stanza VIII? words the soul metal the body 15 What is left screaming by the end of the poem? the "lost soul" the soul that is trapped inside of its body the speaker's lover everyone 16 Based on textual evidence, who could be the "lost soul" the speaker refers to in Stanza V? Baraka's first wife, Hattie Jones Jack Kerouac the person the speaker abandoned in a past life white people 17 What kind of literary element is "blind" (Stanza V)? onomatopoeia hyperbole simile metaphor 18 What kind of literary device is used in "silver, spiraled, whirled" (Stanza V)? metonymy onomatopoeia assonance alliteration 19 What does "corrupt" most likely mean in the context of line 35? together debased/depraved healthy complete 20 What is the closest definition of "gale" in the context of Stanza VI? a windy place a type of bridge a forest a courtyard 21 What kind of associations come up with the actions of "the cold men in their gale" in Stanza VI? fear, death, destruction ritual, conformity, collectivity harmony, unity, peace religion, sacredness, awe 22 In other words, what do the speaker's enemies do to him in Stanza III? make him read lots of books and expand his mind kill him offer him the tools necessary to have a successful life carry him in a ritualistic procession as if preparing him for sacrifice 23 Why does the speaker call flesh "an abstraction" is Stanza III? someone's flesh is often obstructed by clothing his flesh has been cut up and deformed through torture bodies are very beautiful and often the skin looks like a work of art any perception of the body is influenced by societal conventions 24 What "glows as the day with its sun" (Stanza VII)? God flesh, symbolized by metal that is so hot it becomes white the gale that the cold men are living in the sky 25 Why might have Baraka chosen to repeat "the yes" the times in Stanzas V-VI? it creates a repetition of rhythm and speeds up the meter towards the climax of the poem; also helps the poem sound more musical because it sounds cool to really emphasize what he is referring to to bring up different kinds of "yes"