A Streetcar Named Desire

The author of Passage 2 focuses on Marlon Brando’s portrayal of Stanley Kowalski as being particularly memorable and powerful, whereas the author of Passage 1 focuses on Tennessee Williams’ skilled writing. In your opinion, what makes for better drama: a

The author of Passage 2 focuses on Marlon Brando’s portrayal of Stanley Kowalski as being
particularly memorable and powerful, whereas the author of Passage 1 focuses on Tennessee
Williams’ skilled writing. In your opinion, what makes for better drama: a high-quality script or
unparalleled acting? Can a drama be successful with one but not the other? Why?

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I'm sorry, this is a short-answer "literature" forum designed for text specific questions. In addition, you have not provided the passages in question. We have no access to your curriculum.