Humanity's Fear: A Comparison of 1984 and Metropolis 12th Grade
The fear of a dystopian future that is explored in both Fritz Lang’s film Metropolis and George Orwell’s novel Nineteen Eighty Four is reflective of the values of the societies at the time and the context of the authors. As authors are considered conduits of their societies and historical period, it could be said that both Nineteen Eighty Four and Metropolis are didactic pieces of history themselves. This is expressed through the ways they effectively articulate the aspects of life that were valued particularly by Weimer Republic Germany and Post-WWII England and authorial choices and themes of each that come as a direct result of the context in which both texts were contrived.
Concepts of power and authority within both Nineteen Eighty Four and Metropolis explore the values and attitudes of each of the societies from which the texts stemmed. Metropolis, conceived in the years of the Weimar Republic, alliterates the fear of a dystopian future through a corporate totalitarian regime. Germany’s move from an empire to a republic and the move away from monarchy to a presidency also promoted a fierce capitalistic push intended to boost economic profit. This is clearly visible in the absolute capitalistic rule that Joh Frederson...
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