Bless Me, Ultima

Further reading

  • Anaya, R. A. (1972). Bless Me, Ultima. Berkeley, CA: TQS Publications.
  • Baeza, A. (2001). Man of Aztlan: A Biography of Rudolfo Anaya. Waco: Eakin Press.
  • Baria, A. G. (2000). Magic and mediation in Native American and Chicano/a literature author(s). PhD dissertation, Department of English, The Louisiana State University and Agricultural and Mechanical College, Baton Rouge, LA.
  • Bauder, T. A. (1985, Spring). The triumph of white magic in Rudolfo Anaya's Bless Me, Ultima. Mester, 14, 41–55.
  • Calderón, H. (1990). Rudolfo Anaya's Bless Me, Ultima. In César A. González-T. (Ed.), Rudolfo A. Anaya: Focus on criticism (pp. 64–99). La Jolla, CA: Lalo Press.
  • Campbell, J. (1972). The Hero with a thousand faces (2nd Ed.). Princeton, NJ: Princeton University Press.
  • Candelaria, C. (1989). Rudolfo A. Anaya. In M.J. Bruccoli, R. Layman, & C.E. Frazer Clark Jr. (Series Eds.) and F. A. Lomelí & C. R. Shirley (Vol. Eds.), Dictionary of literary biography: Vol. 82. Chicano writers, first series (pp. 24–35). Detroit: Gale Research.
  • Cantú, R. (1990). Apocalypse as an ideological construct: The storyteller's art in Bless Me, Ultima. In César A. González-T. (Ed.), Rudolfo A. Anaya: Focus on criticism (pp. 64–99). La Jolla, CA: Lalo Press.
  • Carrasco, D. (1982, Spring-Fall). A perspective for a study of religious dimensions in Chicano experience: Bless Me, Ultima as a religious text. Aztlán, 13, 195–221.
  • Cazemajou, Jean. (198_). The search for a center: The shamanic journey of mediators in Anaya's trilogy, Bless Me, Ultima; Heart of Aztlán, and Tortuga.In César A. González-T. (Ed.), Rudolfo A. Anaya: Focus on criticism (pp. 254–273). La Jolla, CA: Lalo Press.
  • Dasenbrock, R. W.(2002). Forms of biculturalism in Southwestern literature: The work of Rudolfo Anaya and Leslie Marmon Silko in Allan Chavkin (Ed.), Leslie Marmon Silko's Ceremony: A casebook (pp. 71–82). New York: Oxford University Press.
  • Eliade, M. (1964). Shamanism: Archaic Techniques of Ecstasy. Princeton, N.J.: Princeton University Press.
  • Engstrand, I. W., Griswold del Castillo, R., Poniatowska, E., & Autry Museum of Western Heritage (1998). Culture y cultura: Consequences of the U.S.-Mexican War, 1846–1848. Los Angeles, Calif: Autry Museum of Western Heritage.
  • Estes, C. P. (1992). Women who run with wolves: Myths and stories of the wild woman archetype. New York, NY: Ballantine Books.
  • Fernández Olmos, M. (1999). Rudolfo A. Anaya: A critical companion.Westport, Conn: Greenwood Press.
  • Fink, Michael (2004). Narratives of a new belonging: The politics of memory and identity in contemporary American ethnic literatures. Masters of Arts thesis, Institute for American Studies, University of Regensburg, Germany, Bavaria. ISBN (eBook):978-3-638-32081-8, ISBN (Book):978-3-638-70343-7.(cf. Chapter 4 "The Search for a Sense of Place").
  • Gingerich, W. (1984). Aspects of prose style in three Chicano novels: Pocho, Bless Me, Ultima, and The Road to Tamazunchale" In Jacob Ornstein-Galicia (Ed.), Allan Metcalf (Bibliog.), Form and function in Chicano English (pp. 206–228). Rowley, MA: Newbury House.
  • Griswold del Castillo, R.(Ed.)(2008). World War II and Mexican American civil rights. Austin: University of Texas Press.
  • Griswold del Castillo, R. (1996). Aztlán reocupada: A political and cultural history since 1945: the influence of Mexico on Mexican American society in post war America. México: Universidad Nacional Autónoma de México, Centro de Investigaciones sobre América del Norte.
  • Griswold del Castillo, R. (1990). The treaty of Guadalupe Hidalgo: A legacy of conflict, 1st ed. Norman: University of Oklahoma Press.
  • Henderson, C. D. (2002). Singing an American Song: Tocquevillian reflection on Willa Cather's The Song of a Lark. In Christine Dunn Henderson (Ed.) Seers and Judges: American Literature as Political Philosophy (pp. 73–74). Lanham, Maryland: Lexington Books.
  • Holton, F. S. (1995, Fall). Chicano as bricoleur: Christianity and mythmaking in Rudolfo Anaya's Bless Me, Ultima. Confluencia, 11, 22–41.
  • Johnson, Elaine Dorough (1979). A thematic study of three Chicano narratives: Estampas del Valle y Otras Obras, Bless Me, Ultima and Peregrinos de Aztlan. University Microfilms International: Ann Arbor, Michigan.
  • Kelly, M. (1997). A minor revolution: Chicano/a composite novels and the limits of genre. In Julie Brown (Ed.), Ethnicity and the American short story (pp. 63–84). New York and London: Garland Publishing, Inc.
  • Klein, D.(1992, Sept). Coming of Age in Novels by Rudolfo Anaya and Sandra Cisneros.The English Journal, 1, 21–26.
  • Kristovic, J. (Ed.) (1994). Rudolfo Anaya. In Hispanic Literature criticism (Vol.1, pp. 41–42). Detroit: Gale Research.
  • Lamadrid, E. (1990). Myth as the cognitive process of popular culture in Rudolfo Anaya's Bless Me, Ultima. In César A. González-T. (Ed.), Rudolfo A. Anaya: Focus on criticism (pp. 100–112). La Jolla, CA: Lalo Press.
  • Lee, A. R. (1996). Chicanismo as memory: The fictions of Rudolfo Anaya, Nash Candelaria, Sandra Cisneros, and Ron Arias. In Amritjit Singh, Jose T. Skerrett Jr. & Robert E. Hogan (Eds.), Memory and Cultural Politics: New Approaches to American Ethnic Literatures (pp. 320–39). Boston: Northeastern UP.
  • Lomelí, F. A., & Martínez, J. A. (Eds.) (1985). Anaya, Rudofo Alfonso. In Chicano Literature: A reference guide (pp. 34–51). Westport: Greenwood Press.
  • Magill, F. N. (Ed.) (1994). Bless Me, Ultima. In Masterpieces of Latino Literature (1st ed., pp. 38–41). New York: HarperCollins.
  • Martinez-Cruz, Paloma. (2004). Interpreting the (Me)xican wise woman: Convivial and representation. Ph.D. dissertation, Columbia University, United States – New York. [21] Retrieved January 10, 2012, from Dissertations & Theses: A&I.(Publication No. AAT 3110162).
  • Milligan, B. (1998, August 23). Anaya says absence of coverage will kill Latino culture. San Antonio Express-News, p. 1H.
  • Park, C.D. (2002). “Ultima: myth, magic and mysticism in teaching and learning.” In Jose Villarino & Arturo Ramirez (Eds.), Aztlán, Chicano culture and folklore: An anthology, (3rd Edition). pp. 187–198.
  • Perez-Torres, R. (1995). Movements in Chicano Poetry: Against myths, against margins. New York: Cambridge University Press. (cf. Four or five worlds: Chicano/a literary criticism as postcolonial discourse)
  • Poey, Delia Maria (1996). Border crossers and coyotes: A reception study of Latin American and Latina/o literatures. Ph.D. dissertation, Louisiana State University and Agricultural & Mechanical College, United States – Louisiana. Retrieved January 8, 2012, from Dissertations & Theses: A&I.(Publication No. AAT 9712859).
  • Rudolfo A(lfonso) Anaya. (1983). In S. R. Gunton & J. C. Stine (Eds.), Contemporary literary criticism, 23, 22–27. Detroit: Gale Research.
  • Taylor, P. B. (1994 Autumn). The Chicano translation of Troy: Epic Topoi in the novels of Rudolfo A. Anaya. MELUS, 19, 19–35.
  • Tonn, H. (1990). Bless Me, Ultima: Fictional response to times of transition. In César A. González-T. (Ed.), Rudolfo A. Anaya: Focus on Criticism (pp. 1–12). La Jolla, CA: Lalo Press.
  • Vallegos, T. (1983 Winter). Ritual process and the family in the Chicano novel. MELUS, 10, 5–16.
  • Villar Raso, M. & Herrera-Sobek, Maria.( 2001 Fall). A Spanish novelist's perspective on Chicano/a literature. Journal of Modern Literature, 25,17–34.

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