The novel utilises many traditional novelistic techniques which had been largely abandoned by the time of writing, such as letters, diary extracts, interpolated manuscripts, and the like, as seen in the works of Henry Fielding and, later, Wilkie Collins. Technically it is a tour de force, having no fewer than five plots: the ostensible 'curse' story; the two red-herring sub-plots concerning Selden and the other stranger living on the moor; the actual events occurring to Baskerville as narrated by Watson; and the hidden plot to be discovered by Holmes. Doyle wrote that the novel was originally conceived as a straight 'Victorian creeper' (as seen in the works of J. Sheridan Le Fanu), with the idea of introducing Holmes as the deus ex machina only arising later.
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