Survival in Auschwitz


If This Is a Man (Italian: Se questo è un uomo [se ˌkkwest(o) ɛ un ˈwɔːmo];[1] is a memoir by Italian Jewish writer Primo Levi, first published in 1947. It describes his arrest as a member of a partisan band affiliated with the resistance movement Justice and Liberty, during the Second World War, and his incarceration in the Auschwitz concentration camp (Monowitz) from February 1944 until the camp was liberated on January 27, 1945.

  • The Journey
  • On the Bottom
  • Initiation
  • Ka-Be
  • Our Nights
  • The Work
  • A Good Day
  • This Side of Good and Evil
  • The Drowned and the Saved
  • Chemistry Examination
  • The Canto of Ulysses
  • The Events of the Summer
  • October 1944
  • Kraus
  • Winter has arrived. Die Drei Leute vom Labor (“The Three Laboratory People”) describes how Levi and two other prisoners are chosen to work in the laboratory, whose cleanliness and warmth contrasts with the rest of the bomb-ravaged and snow-covered camp. The presence of three healthy women makes the prisoners self-conscious about their own physical deterioration.
  • In The Last One Levi describes the audacious schemes he and Alberto devise to acquire goods which can later be exchanged for bread. At the end of the day, the prisoners are assembled to witness the public hanging of a prisoner who has taken part in an uprising which led to one of the crematoriums in Birkenau being blown up. At the moment of death the man cries out “Comrades, I am the last!” There is no response from the prisoners, who look on passively, by now robbed of any sense of autonomy.
  • Written in the form of a diary The Story of Ten Days is the work’s epilogue. Suffering with scarlet fever, Levi is admitted to the camp hospital. By now the arrival of the Red Army is imminent and the Germans decide to abandon the camp. Only the healthy prisoners are evacuated. Alberto leaves, Levi remains. The forced march of the departing prisoners will take almost all of them, including Alberto, to their deaths. Levi and two other prisoners set about helping the other patients in their barrack, scouring the abandoned camp for provisions. The Soviet troops arrive on the 27th January 1945.

Levi began to write in February 1946, with a draft of what would become the final chapter recording his most recent memories of Auschwitz. According to Ian Thomson, Levi worked over the next ten months with concentrated energy and extreme facility. Levi told him that the words poured out of him 'like a flood which has been dammed and suddenly rushes forth'.[2] In the daytime Levi was working at a paint factory north-east of Turin. Mostly he wrote in the evenings and late into the night, although Levi said that the chapter The Canto of Ulysses was written almost entirely in a single, half-hour lunch break.[3] The first manuscript was completed in December 1946 and required considerable editorial work. His future wife, Lucia Morpurgo, helped him to shape the book, giving it a clear sense of direction.[4]


In January 1947, the manuscript was rejected by Einaudi. Levi managed to find a smaller publisher, De Silva,[5] who printed 2,500 copies of the book, 1,500 of which were sold, mostly in Levi's hometown of Turin. In 1957, Einaudi agreed to reprint it, and interest in it increased.[5]

An English translation by Stuart Woolf was published in 1959. A German translation by Heinz Reidt appeared in 1961, titled Ist das ein Mensch?, and a French edition in the same year.[5] All translations were completed under Levi's supervision. He was particularly careful to oversee the German translation, writing in The Drowned and the Saved:

I did not trust my German publisher. I wrote him an almost insolent letter: I warned him not to remove or change a single word in the text, and I insisted that he send me the manuscript of the translation in batches ... I wanted to check on not merely its lexical but also its inner faithfulness.[6]

Robert S. C. Gordon writes that Levi went on to develop a close relationship with Reidt.[7] The German edition contains a special preface addressed to the German people, which Levi said he wrote out of passionate necessity to remind them what they had done.[8] If This Is a Man is often published alongside Levi's second work of witness, The Truce (Italian title: La Tregua).


The book is introduced by a poem. The construction "If .." invites the reader to make a judgment. It alludes to the treatment of people as Untermenschen (German for "sub-humans"), and to Levi's examination of the degree to which it was possible for a prisoner in Auschwitz to retain his or her humanity. The poem explains the title and sets the theme of the book: humanity in the midst of inhumanity.

The last part of the poem, beginning "meditate", explains Levi's purpose in having written it: to record what happened so that later generations will ponder (a more literal translation of meditare) the significance of the events he lived through. It also parallels the language of the V'ahavta, the Jewish prayer that commands followers to remember and pass on the teachings of their faith.


The calm sobriety of Levi's prose style is all the more striking given the horrific nature of the events he describes. Levi explained in his 1976 Appendix to the work:

I thought that my word would be more credible and useful the more objective it appeared and the less impassioned it sounded; only in that way does the witness in court fulfil his function, which is to prepare the ground for the judge. It is you who are the judges.[9]

He ascribed the clarity of his language to the habits acquired during his training as a chemist:

My model was that of the weekly reports, a normal practice in factories: they must be concise, precise and written in a language accessible to all levels of the firm's hierarchy.[10]

Adaptation for Radio

In 1965 the Canadian Broadcasting Corporation aired the 140-minute dramatic feature, "If This is a Man", George Whalley's adaptation of Stuart Woolf's translation. The broadcast was produced by John Reeves, who has written about the radio production.

See also
  • Le Monde's 100 Books of the Century
  • Night (book)
  • The Diary of a Young Girl
  • The Holocaust in popular culture
  1. ^ Compare un vero affare [un ˌveraˈffare]
  2. ^ Thomson (2003), p.229.
  3. ^ Thomson, pp.226 and 230—231.
  4. ^ Thomson (2003), p.241.
  5. ^ a b c Levi, Primo. Note to the Theatre version of If This Is a Man, pp. 23–25.
  6. ^ The Drowned and the Saved, p. 139, cited in Gordon 2007, p.157.
  7. ^ Gordon 2007, p. 157.
  8. ^ The Drowned and the Saved (Italian title: I Sommersi e i Salvati)
  9. ^ Levi 2015, vol.1, p.169.
  10. ^ Levi 2015, vol.1, p.199.
  • Benchouiha, Lucie (2006). Primo Levi: Rewriting the Holocaust. Troubador Publishing Ltd. ISBN 1-905237-23-5
  • Gordon, Robert S. C. (2007). The Cambridge Companion to Primo Levi. Cambridge University Press. ISBN 0-521-84357-X
  • Levi, Primo (2015). The Complete Works of Primo Levi. Penguin Classics. ISBN 978-0-713-99956-3
  • Thomson, Ian (2003). Primo Levi: A Biography. Vintage. ISBN 0-09-951521-0
Further reading
  • Alford, Frederick (31 May 2009). After the Holocaust: Primo Levi, The Book of Job, and the Path to Affliction. Cambridge University Press. ISBN 0-521-74706-6. 
  • Patruno, Nicholas (2008). Understanding Primo Levi. University of South Carolina Press. ISBN 1-57003-791-4. 
  • Pugliese, Stanislao G. (2004). The Legacy of Primo Levi. Palgrave Macmillan. ISBN 1-4039-6645-1. 
  • Farrell, Joseph (2004). Primo Levi: The Austere Humanist. Verlag Peter Lang. ISBN 3-03910-069-6. 
  • Angier, Carole (2003). The Double Bond: Primo Levi, a Biography. Penguin Books Ltd. ISBN 0-14-016587-8. 
  • Kremer, Roberta S. (2001). Memory and Mastery: Primo Levi as Writer and Witness. State University of New York Press. ISBN 0-7914-4922-X. 
  • Anissimov, Myriam (2000). Primo Levi: Tragedy of an Optimist. Overlook Press. ISBN 1-58567-020-0. 
  • Cicioni, Mirna (1995). Primo Levi: Bridges of Knowledge. Berg Publishers. ISBN 1-85973-063-9. 
  • Camon, Ferdinando (1991). Conversations with Primo Levi. The Marlboro Press. ISBN 0-910395-48-9. 
  • Vincenti, Fiora (1981). Primo Levi. Milan: Mursia. 
External links
  • Quotations related to If This Is a Man at Wikiquote

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