Saved was originally refused a licence without severe cuts by the Lord Chamberlain. When it was performed to large private audiences, the Lord Chamberlain decided to prosecute those who were involved in the production of the play. Although the defendants pleaded guilty and were fined, the case reflected badly on the censorship office and was pivotal in the abolition of theatre censorship a few years later in 1968.[2][3] Benedict Nightingale stated in 2001 that initially, the play divided reviewers more than any play since Henrik Ibsen's Ghosts.[4]
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