Riddley Walker

Sources

  • Ackerley, Chris (2017). "Russell Hoban's Riddley Walker: The Eusa Story and Other Blipful Figgers". In Marshall, Simone Celine; Cusack, Carole M. (eds.). The Medieval Presence in the Modernist Aesthetic. Brill. pp. 169–190. doi:10.1163/9789004357020_012. ISBN 978-90-04-35702-0.
  • Boyne, Martin (2009). "Sentenced to Destruction: a Stylistic Analysis of the Syntax of Two Post-apocalyptic Novels" (PDF). Working with English: Medieval and Modern Language, Literature and Drama. 5 (1): 1–20. Retrieved 23 May 2021.
  • Cockrell, Amanda (Spring 2004). "On This Enchanted Ground: Reflections of a Cold War Childhood in Russell Hoban's "Riddley Walker" and Walter M. Miller's "A Canticle for Leibowitz"". Journal of the Fantastic in the Arts. 15 (1): 20–36. JSTOR 43308682.
  • Dowling, David (1988). "Russell Hoban's Riddley Walker: Doing the Connections". Critique: Studies in Contemporary Fiction. 29 (3): 179–187. doi:10.1080/00111619.1988.9937847.
  • Eve, Martin Paul (2014). ""some kind of thing it aint us but yet its in us": David Mitchell, Russell Hoban, and Metafiction After the Millennium". SAGE Open. 4 (1): 1–10. doi:10.1177/2158244014521636.
  • Granofsky, Ronald (1986). "Holocaust as Symbol in Riddley Walker and The White Hotel". Modern Language Studies. 16 (3): 172–182. doi:10.2307/3194897. JSTOR 3194897.
  • Hannah, Matthew; Mayer, Sylvia (2021). "Scale and Speculative Futures in Russell Hoban's Riddley Walker and Kim Stanley Robinson's 2312". In Hanke, Christine; Milburn, Colin; Hutta, Jan Simon; Cortiel, Jeanne (eds.). Practices of Speculation. Modeling, Embodiment, Figuration. Transcript Verlag. pp. 191–208. ISBN 9783837647518.
  • Huisman, David (1994). "'Hoap of a Tree' in Riddley Wa'ker". Christianity and Literature. 43 (3–2): 347–373. doi:10.1177/014833319404300309.
  • Lake, David J. (1984). "Making the Two One: Language and Mysticism in "Riddley Walker"". Extrapolation. 25 (2): 157–170. doi:10.3828/extr.1984.25.2.157.
  • Maclean, Marie (1988). "The Signifier as Token: The Textual Riddles of Russell Hoban". Journal of the Australasian Universities Language and Literature Association. 70 (1): 211–219. doi:10.1179/aulla.1988.001.
  • Maynor, Natalie; Patteson, Richard F. (1984). "Language as Protagonist in Russell Hoban's Riddley Walker". Critique: Studies in Contemporary Fiction. 26 (1): 18–25. doi:10.1080/00111619.1984.9933791.
  • Mullen, R. D. (November 2000). "Dialect, Grapholect, and Story: Russell Hoban's "Riddley Walker" as Science Fiction". Science Fiction Studies. 27 (3): 391–417. JSTOR 4241511.
  • Mustazza, Leonard (1989). "Myth and History in Russell Hoban's Riddley Walker". Critique: Studies in Contemporary Fiction. 31 (1): 17–26. doi:10.1080/00111619.1989.9934681.
  • Porter, Jeffrey (Winter 1990). ""Three Quarks for Muster Mark": Quantum Wordplay and Nuclear Discourse in Russell Hoban's "Riddley Walker"". Contemporary Literature. 31 (4): 448–469. doi:10.2307/1208323. JSTOR 1208323.
  • Roache, John (2017). "In the Moment of Danger: Benjaminian History and Theology in Russell Hoban's Riddley Walker". Symplokē. 25 (1–2): 355–374. doi:10.5250/symploke.25.1-2.0355. S2CID 148964555.
  • Schwenger, P. (1991). "Circling Ground Zero". PMLA. 106 (2): 251–261. doi:10.2307/462661. JSTOR 462661. S2CID 163939306.
  • Schwetman, John W. (1985). "Russell Hoban's Riddley Walker and the Language of the Future". Extrapolation. 26 (3): 212–219. doi:10.3828/extr.1985.26.3.212.
  • Taylor, Nancy Dew (1989). "'…You Bes go Ballsy': Riddley Walker's Prescription for the Future". Critique: Studies in Contemporary Fiction. 31 (1): 27–39. doi:10.1080/00111619.1989.9934682.
  • Warren, Martin L. (March 2007). "The St. Eustace Legend as Palimpsest in Hoban's "Riddley Walker"". Science Fiction Studies. 34 (1): 158–163. JSTOR 4241511.

This content is from Wikipedia. GradeSaver is providing this content as a courtesy until we can offer a professionally written study guide by one of our staff editors. We do not consider this content professional or citable. Please use your discretion when relying on it.