Riddley Walker

Adaptations

Film and theatre

  • Robert C. Cumbow wrote in Slant Magazine that the post-apocalyptic film Mad Max Beyond Thunderdome borrowed "whole ideas, themes and characterizations" from the novel.[12]
  • Hoban's own theatrical adaptation premiered at the Royal Exchange Theatre, Manchester, in February 1986. It was directed by Braham Murray and starred David Threlfall. Its U.S. premiere was at the Chocolate Bayou Theatre, in April 1987, directed by Greg Roach.[13]
  • In 1989, Russell Hoban gave permission for theatre students at Sir Percival Whitley/Calderdale College, Halifax, West Yorkshire, to transcribe the book into a theatrical script, which was then staged in a new production at The Square Chapel, Halifax.
  • In November 2007, the play was produced by Red Kettle in Waterford, Ireland, to positive reviews.[14]
  • In 2011, the play was also adapted for Trouble Puppet Theater Co. by artistic director Connor Hopkins at Salvage Vanguard Theater in Austin, Texas. This production employed tabletop puppetry inspired by the Bunraku tradition and was supported by an original score by Justin Sherburn.[15]
  • In March 2015, a group of Aberystwyth drama students performed the play in Theatre y Castell over the course of two days. The production was directed by David Ian Rabey.

Popular music

  • "The Rapture of Riddley Walker" is the eighth song on the Clutch album From Beale Street to Oblivion (2007).[16]
  • "Widder's Dump", named after a location in the book and notes on the credits as being inspired by the novel, is the fifth song on the 1989 King Swamp album.[17]
  • "In the Heart of the Wood and What I Found There" from the album Thunder Perfect Mind by Current 93 features references to Riddley Walker. Another Current 93 song, "The Blue Gates of Death" from the album Earth Covers Earth incorporates a rhyme from the book. Also, their album Of Ruine or Some Blazing Starre cites the Saint Eustace story.[18]
  • "Ode to Riddley Walker" is the title track of the second solo album by The Owl Service vocalist Diana Collier (2020). The song refers directly to Hoban's novel.[19]

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