Metamorphoses

Notes

  1. ^ "The Hayden White Rare Book Collection". University of California, Santa Cruz. Retrieved 15 April 2013.
  2. ^ More, Brookes. Commentary by Wilmon Brewer. Ovid's Metamorphoses (Translation), pp. 353–86, Marshall Jones Company, Francestown, New Hampshire, revised edition, 1978. ISBN 978-0-8338-0184-5, LCCN 77-20716.
  3. ^ a b c Galinsky 1975, p. 2.
  4. ^ a b Galinsky 1975, p. 1.
  5. ^ Fletcher, Kristopher F. B. (2009). "Boios' Ornithogonia as Hesiodic Didactic" (PDF). Classical Association of the Middle West and South (CAMWS).
  6. ^ Galinsky 1975, pp. 2–3.
  7. ^ Galinsky 1975, p. 3.
  8. ^ Anderson 1997, p. 14.
  9. ^ Anderson 1997, p. 19.
  10. ^ Farrell 1992, p. 235.
  11. ^ Wheeler 2000, p. 1.
  12. ^ a b Solodow 1988, pp. 17–18.
  13. ^ a b Galinsky 1975, p. 41.
  14. ^ Galinsky 1975, p. 4.
  15. ^ Harrison 2006, p. 87.
  16. ^ a b Solodow 1988, p. 18.
  17. ^ Harrison 2006, p. 88.
  18. ^ Otis 2010, p. 83.
  19. ^ Melville 2008, p. 466.
  20. ^ Melville 2008, p. xvi.
  21. ^ Melville 2008, p. 379.
  22. ^ Melville 2008, pp. vii–viii.
  23. ^ Wheeler 1999, p. 40.
  24. ^ Swanson, Roy Arthur (1959). "Ovid's Theme of Change". The Classical Journal. 54 (5): 201–05. JSTOR 3295215. (subscription required)
  25. ^ a b c d Johnston, Ian. "The Influence of Ovid's Metamorphoses". Project Silver Muse. University of Texas at Austin. Archived from the original on 7 April 2014. Retrieved 15 April 2013.
  26. ^ Segal, C. P. Landscape in Ovid's Metamorphoses (Wiesbaden, 1969) 45
  27. ^ Solodow 1988, pp. 208–213.
  28. ^ Ian, Johnston. "The Transformations in Ovid's Metamorphoses". Vancouver Island University. Archived from the original on 6 January 2017. Retrieved 9 May 2013.
  29. ^ Galinsky 1975, p. 181.
  30. ^ Von Glinski, M. L. Simile and Identity in Ovid's Metamorphoses. Cambridge: 2012. p. 120 inter alia
  31. ^ Melville 2008, pp. xxxvi–xxxvii.
  32. ^ Benson 2008, p. 952.
  33. ^ Benson 2008, p. 873.
  34. ^ "Influences". The World of Chaucer, Medieval Books and Manuscripts. University of Glasgow. Archived from the original on 1 June 2009. Retrieved 15 April 2013.
  35. ^ a b c d e Melville 2008, p. xxxvii.
  36. ^ Halio, Jay (1998). Romeo and Juliet: A Guide to the Play. Westport: Greenwood Press. p. 93. ISBN 978-0-313-30089-9.
  37. ^ Marshall, David (1982). "Exchanging Visions: Reading A Midsummer Night's Dream". ELH. 49 (3): 543–75. doi:10.2307/2872755. JSTOR 2872755. (subscription required)
  38. ^ Belsey, Catherine (1995). "Love as Trompe-l'oeil: Taxonomies of Desire in Venus and Adonis". Shakespeare Quarterly. 46 (3): 257–76. doi:10.2307/2871118. JSTOR 2871118. (subscription required)
  39. ^ West, Grace Starry (1982). "Going by the Book: Classical Allusions in Shakespeare's Titus Andronicus". Studies in Philology. 79 (1): 62–77. JSTOR 4174108. (subscription required)
  40. ^ Vaughan, Virginia Mason; Vaughan, Alden T. (1999). The Tempest. The Arden Shakespeare, Third Series. The Arden Shakespeare. pp. 26, 58–59, 66. ISBN 978-1-903436-08-0.
  41. ^ Melville 2008, pp. 392–393.
  42. ^ Cumming, William P. (1931). "The Influence of Ovid's "Metamorphoses" on Spenser's "Mutabilitie" Cantos". Studies in Philology. 28 (2): 241–56. JSTOR 4172096. The indebtedness to Ovid of passages and ideas in Spenser's Mutabilite cantos has been pointed out by various commentators; (subscription required)
  43. ^ Gross, Kenneth (1985). "Infernal Metamorphoses: An Interpretation of Dante's "Counterpass"". MLN. 100 (1): 42–69. doi:10.2307/2905667. JSTOR 2905667. (subscription required)
  44. ^ Most, Glen W. (2006). "Dante's Greeks". Arion. 13 (3): 15–48. JSTOR 29737275. (subscription required)
  45. ^ Alpers, S. (1971). The Decoration of the Torre della Parada (Corpus Rubenianum Ludwig Burchard Part ix). London. p. 151.{{cite book}}: CS1 maint: location missing publisher (link)
  46. ^ Allen 2006, p. 336. sfn error: no target: CITEREFAllen2006 (help)
  47. ^ "Who was Ovid?". The National Gallery. Archived from the original on 2 December 2013. Retrieved 18 April 2013.
  48. ^ "Diana and Callisto". The National Gallery. Retrieved 18 April 2013.
  49. ^ "Diana and Actaeon". The National Gallery. Retrieved 18 April 2013.
  50. ^ "Death of Actaeon". The National Gallery. Retrieved 18 April 2013.
  51. ^ "Titian's 'poesie': The commission | Titian: Love Desire Death | National Gallery, London". www.nationalgallery.org.uk. Retrieved 8 February 2021.
  52. ^ Barolsky, Paul (1998). "As in Ovid, So in Renaissance Art". Renaissance Quarterly. 51 (2): 451–74. doi:10.2307/2901573. JSTOR 2901573. S2CID 192959612. (subscription required)
  53. ^ Hughes, Ted (1997). Tales from Ovid (2nd print. ed.). London: Faber and Faber. ISBN 978-0-571-19103-1.
  54. ^ "Metamorphoses". Lookingglass Theatre Company. Retrieved 21 April 2013.
  55. ^ "Archive Catalogue". Shakespeare birthplace trust. Archived from the original on 5 May 2013. Retrieved 21 April 2013.
  56. ^ Mitchell, Adrian (2010). Shapeshifters : tales from Ovid's Metamorphoses. Illustrated by Alan Lee. London: Frances Lincoln Children's Books. ISBN 978-1-84507-536-1.
  57. ^ Beck, Jerry (2005). The Animated Movie Guide (1. ed.). Chicago: Chicago Review Pr. pp. 166–67. ISBN 978-1-55652-591-9.
  58. ^ Nestruck, J. Kelly. "Onstage pools and lots of water: The NAC's Metamorphoses (mostly) makes a splash". The Globe and Mail. Retrieved 21 April 2013.
  59. ^ Digitalarti Magazine, The STRP Festival of Eindhoven, Dominique Moulon, January 2011
  60. ^ "The Myth of Io". The Walters Art Museum. Archived from the original on 16 May 2013. Retrieved 4 October 2012.
  61. ^ a b Anderson 1997, p. 31.
  62. ^ Anderson 1997, pp. 31–32.
  63. ^ Tarrant 2004, p. vi.
  64. ^ Reynolds, L. D., ed., Texts and Transmission: A Survey of the Latin Classics, 277.
  65. ^ Brooks Otis (1936). "The Argumenta of the So-Called Lactantius". Harvard Studies in Classical Philology. 47: 131–163. doi:10.2307/310573. JSTOR 310573.
  66. ^ a b Tarrant 1982, p. 343.
  67. ^ Tarrant 2004, Praefatio.
  68. ^ Richard Treat Bruere (1939). "The Manuscript Tradition of Ovid's Metamorphoses". Harvard Studies in Classical Philology. 50: 95–122. doi:10.2307/310594. JSTOR 310594.
  69. ^ a b Lyne 2006, p. 249.
  70. ^ Gillespie & Cummings 2004, p. 207.
  71. ^ Blake, N. F. (1990). William Caxton and English literary culture. London: Hambledon. p. 298. ISBN 978-1-85285-051-7.
  72. ^ Lyne 2006, pp. 250–251.
  73. ^ Lyne 2006, p. 252.
  74. ^ Gillespie & Cummings 2004, pp. 208–209.
  75. ^ Lyne 2006, p. 254.
  76. ^ Gillespie & Cummings 2004, p. 212.
  77. ^ Melville 2008, p. xxx.
  78. ^ Lyne 2006, p. 256.
  79. ^ a b Lyne 2006, p. 258.
  80. ^ Gillespie & Cummings 2004, pp. 216–218.
  81. ^ Gillespie & Cummings 2004, p. 218.
  82. ^ Lyne 2006, pp. 259–260.
  83. ^ a b c Sharratt, Peter; Salomon, Bernard (2005). Bernard Salomon: illustrateur lyonnais. Travaux d'Humanisme et Renaissance. Genève: Droz. ISBN 978-2-600-01000-9.
  84. ^ Lamarque, Henri, ed. (1981). Ovide en France dans la Renaissance. Cahiers de l'Europe classique et néo-latine. Toulouse: Publ. de l'Univ. Toulouse-Le Mirail. ISBN 978-2-85816-011-2.
  85. ^ Lejeune, Maud (2021). Gravures et dessins de Bernard Salomon, peintre à Lyon au XVIe siècle. Cahiers d'humanisme et Renaissance. Genève: Droz. ISBN 978-2-600-06277-0.
  86. ^ Panofsky, Erwin (1969). Problems in Titian mostly iconographic. The Wrightsman lectures. London: Phaidon [u.a.] ISBN 978-0-7148-1325-7.

References

Modern translations

  • Ovid (2008). Metamorphoses. Translated by A. D. Melville. Introduction and notes by Edward John Kenney. Oxford: Oxford University Press. ISBN 978-0-19-953737-2.

Secondary sources

  • Allen, Christopher (2002). "Ovid and art". In Philip Hardie (ed.). The Cambridge Companion to Ovid. Cambridge: Cambridge University Press. pp. 336–367. doi:10.1017/CCOL0521772818.022. ISBN 978-0-521-77528-1.
  • Anderson, William S., ed. (1997). Ovid's Metamorphoses, Books 1–5. Norman: University of Oklahoma Press. ISBN 978-0-8061-2894-8.
  • Benson, Larry D., ed. (2008). The Riverside Chaucer (3rd ed.). Oxford University Press. ISBN 978-0-19-955209-2.
  • Farrell, Joseph (1992). "Dialogue of Genres in Ovid's "Lovesong of Polyphemus" (Metamorphoses 13.719–897)". American Journal of Philology. 113 (2): 235–268. doi:10.2307/295559. JSTOR 295559. (subscription required)
  • Galinsky, Karl (1975). Ovid's Metamorphoses: an introduction to the basic aspects. Berkeley: University of California Press. ISBN 978-0-520-02848-7.
  • Gillespie, Stuart; Cummings, Robert (2004). "A Bibliography of Ovidian Translations and Imitations in English". Translation and Literature. 13 (2): 207–218. doi:10.3366/tal.2004.13.2.207. JSTOR 40339982. (subscription required)
  • Harrison, Stephen (2006). "Ovid and genre: evolutions of an elegist". In Philip Hardie (ed.). The Cambridge Companion to Ovid. Cambridge: Cambridge University Press. ISBN 978-0-511-99896-6.
  • Lyne, Raphael (2006). "Ovid in English translation". In Philip Hardie (ed.). The Cambridge Companion to Ovid. Cambridge: Cambridge University Press. ISBN 978-0-511-99896-6.
  • Otis, Brooks (2010). Ovid as an Epic Poet (2nd ed.). Cambridge: Cambridge University Press. ISBN 978-0-521-14317-2.
  • Solodow, Joseph B. (1988). The World of Ovid's Metamorphoses. Chapel Hill: University of North Carolina Press. ISBN 978-0-8078-1771-1.
  • Tarrant, R. J. (1982). "Review Article: Editing Ovid's Metamorphoses: Problems and Possibilities". Classical Philology. 77 (4): 342–360. doi:10.1086/366734. JSTOR 269419. S2CID 162744932. (subscription required)
  • Tarrant, R. J. (2004). P. Ouidi Nasonis Metamorphoses. Oxford Classical Texts. Oxford: Clarendon Press.
  • Wheeler, Stephen M. (1999). A Discourse of Wonders: Audience and Performance in Ovid's Metamorphoses. Philadelphia: University of Pennsylvania Press. ISBN 978-0-8122-3475-6.
  • Wheeler, Stephen M. (2000). Narrative dynamics in Ovid's Metamorphoses. Tübingen: Narr. ISBN 978-3-8233-4879-5.

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