Blood Meridian: Or the Evening Redness in the West

Writing

Cormac McCarthy in 1980, by which time he had already been working on Blood Meridian for about five years

McCarthy began writing Blood Meridian in the mid-1970s.[24] In a letter sent around 1979 he said that he had not touched Blood Meridian in six months out of frustration.[5] Nonetheless, significant parts of the final book were written in one go, "including the astonishing 'legion of horribles' passage".[5]

A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery [...].

Cormac McCarthy, Blood Meridian, IV.

McCarthy worked on the novel while living on the money from his 1981 MacArthur Fellows grant. It was his first attempt at a western and his first novel set in the Southwestern United States, a change from the Appalachian settings of his earlier work.[5]

Edward S. Curtis – Canyon de Chelly (1904)

In 1974, McCarthy moved from his native Tennessee to El Paso, Texas, to immerse himself in the culture and geography of the American Southwest. He taught himself Spanish, which many of the characters of Blood Meridian speak.[5] McCarthy conducted considerable research to write the book. Critics have repeatedly demonstrated that even brief and seemingly inconsequential passages of Blood Meridian rely on historical evidence. The book has been described as "as close to history as novels generally get".[25]

The Glanton gang segments are based on Samuel Chamberlain's account of the group in his memoir My Confession: The Recollections of a Rogue. Chamberlain rode with John Joel Glanton and his company between 1849 and 1850. Judge Holden is described in Chamberlain's account but is otherwise unknown. Chamberlain writes:

The second in command, now left in charge of the camp, was a man of gigantic size who rejoiced in the name of Holden, called Judge Holden of Texas. Who or what he was no one knew, but a cooler-more blooded villain never went unhung. He stood six foot six in his moccasins, had a large, fleshy frame, a dull, tallow-colored face destitute of hair and all expression, always cool and collected. But when a quarrel took place and blood shed, his hog-like eyes would gleam with a sullen ferocity worthy of the countenance of a fiend ... Terrible stories were circulated in camp of horrid crimes committed by him when bearing another name in the Cherokee nation in Texas. And before we left Fronteras, a little girl of ten years was found in the chaparral foully violated and murdered. The mark of a huge hand on her little throat pointed out him as the ravisher as no other man had such a hand. But though all suspected, no one charged him with the crime. He was by far the best educated man in northern Mexico.[26]

McCarthy's judge was added to his manuscript in the late 1970s, a "grotesque patchwork of up-river Kurtz and Milton's Satan" and Chamberlain's account.[5]

McCarthy physically retraced the Glanton Gang's path through Mexico multiple times, and noted topography and fauna.[5] He studied such topics as homemade gunpowder to accurately depict the judge's creation from volcanic rock.

Style

McCarthy's writing style involves many unusual or archaic words, dialogue in Spanish, no quotation marks for dialogue, and no apostrophes to signal most contractions. McCarthy told Oprah Winfrey in an interview that he prefers "simple declarative sentences" and that he uses capital letters, periods, an occasional comma, a colon for setting off a list, but never semicolons.[27] He believes there is no reason to "blot the page up with weird little marks".[28] The New York Times described McCarthy's prose in Blood Meridian as "Faulknerian".[29] Describing events of extreme violence, McCarthy's prose is sparse yet expansive, with an often biblical quality and frequent religious references.


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