A Christmas Carol


Dickens was not the first author to celebrate the Christmas season in literature,[3] but it was he who superimposed his humanitarian vision of the holiday upon the public, an idea that has been termed as Dickens' "Carol Philosophy".[8] Dickens believed the best way to reach the broadest segment of the population regarding his concerns about poverty and social injustice was to write a deeply felt Christmas story rather than polemical pamphlets and essays.[9][10] Dickens' career as a best-selling author was on the wane, and the writer felt he needed to produce a tale that would prove both profitable and popular. Dickens' visit to the work-worn industrial city of Manchester was the "spark" that fired the author to produce a story about the poor, a repentant miser, and redemption that would become A Christmas Carol.[11]

The forces that inspired Dickens to create a powerful, impressive and enduring tale were the profoundly humiliating experiences of his childhood, the plight of the poor and their children during the boom decades of the 1830s and 1840s, and Washington Irving's essays on old English Christmas traditions published in his Sketch Book (1820);[12] and fairy tales and nursery stories, as well as satirical essays and religious tracts.[3][4][5]

Childhood experiences

While Dickens' humiliating childhood experiences are not directly described in A Christmas Carol, his conflicting feelings for his father as a result of those experiences are principally responsible for the dual personality of the tale's protagonist, Ebenezer Scrooge. In 1824, Dickens' father, John, was imprisoned in the Marshalsea whilst 12-year-old Charles was forced to take lodgings nearby, pawn his collection of books, leave school and accept employment in a blacking factory.[3][13]

The boy had a deep sense of class and intellectual superiority and was entirely uncomfortable in the presence of factory workers who referred to him as "the young gentleman". As a result of this treatment, he developed nervous fits. When his father was released at the end of a three-month stint, young Dickens was forced to continue working in the factory, which only grieved and humiliated him further. He despaired of ever recovering his former happy life.[3][13]

The devastating impact of the period wounded him psychologically, coloured his work, and haunted his entire life with disturbing memories. Dickens both loved and demonised his father, and it was this psychological conflict that was responsible for the two radically different Scrooges in the tale—one Scrooge, a cold, stingy and greedy semi-recluse, and the other Scrooge, a benevolent, sociable man, whose generosity and goodwill toward all men earn for him a near-saintly reputation.[14] It was during this terrible period in Dickens' childhood that he observed the lives of the men, women, and children in the most impoverished areas of London and witnessed the social injustices they suffered.[3][13]

Children living in poverty

Dickens was keenly touched by the lot of poor children in the middle decades of the 19th century.[15] In early 1843, he toured the Cornish tin mines, where he saw children working in appalling conditions. The suffering he witnessed there was reinforced by a visit to the Field Lane Ragged school, one of several London schools set up for the education of the capital's half-starved, illiterate street children.[16]

Inspired by the February 1843 parliamentary report exposing the effects of the Industrial Revolution upon poor children called Second Report of the Children's Employment Commission, Dickens planned in May 1843 to publish an inexpensive political pamphlet tentatively titled, "An Appeal to the People of England, on behalf of the Poor Man's Child", but changed his mind, deferring the pamphlet's production until the end of the year.[17] He wrote to Dr. Southwood Smith, one of 84 commissioners responsible for the Second Report, about his change in plans: "[Y]ou will certainly feel that a Sledge hammer has come down with twenty times the force—twenty thousand times the force—I could exert by following out my first idea". The pamphlet would become A Christmas Carol.[18]

In a fundraising speech on 5 October 1843, at the Manchester Athenæum, Dickens urged workers and employers to join together to combat ignorance with educational reform,[9][19] and realised in the days following that the most effective way to reach the broadest segment of the population with his social concerns about poverty and injustice was to write a deeply felt Christmas narrative rather than polemical pamphlets and essays.[9][10] It was during his three days in Manchester that he conceived the plot of A Christmas Carol.[9][20]

Washington Irving's Christmas stories

Irving's The Sketch Book of Geoffrey Crayon, Gent. (1819–1820) was written over 20 years before A Christmas Carol. The Sketch Book depicted the harmonious warmhearted English Christmas traditions that Irving had experienced while staying at Aston Hall. The tales and essays attracted Dickens,[3] and the two authors shared the belief that the staging of a nostalgic English Christmas might restore a social harmony and well-being lost in the modern world.[21] In "A Christmas Dinner" from Sketches by Boz (1833), Dickens had approached the holiday in a manner similar to Irving, and, in The Pickwick Papers (1837), he offered an idealised vision of Christmas at Dingley Dell.[21] In the Pickwick episode, a Mr. Wardle relates the tale of Gabriel Grub, a lonely and mean-spirited sexton, who undergoes a Christmas conversion after being visited by goblins who show him the past and future – the prototype of A Christmas Carol.[22][23]

Other influences

Other likely influences were a visit Dickens made to the Western Penitentiary in Pittsburgh, Pennsylvania, from 20–22 March 1842;[24] the decade-long fascination on both sides of the Atlantic with spiritualism;[13] fairy tales, and nursery stories (which Dickens regarded as stories of conversion and transformation);[4] and contemporary religious tracts about conversion.[4]

The works of Douglas Jerrold in general, but especially "The Beauties of the Police" (1843), a satirical and melodramatic essay about a father and his child forcibly separated in a workhouse, were influences,[24] and another satirical essay by Jerrold which may have had a direct influence on Dickens' conception of Scrooge, called "How Mr. Chokepear keeps a merry Christmas" (Punch, 1841).[5]

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