Wuthering Heights

Works inspired by Wuthering Heights

Literature

Mizumura Minae's A True Novel (Honkaku shosetsu) (2002) is inspired by Wuthering Heights and might be called an adaptation of the story in a post-World War II Japanese setting.[128]

In Jane Urquhart's Changing Heaven, the novel Wuthering Heights, as well as the ghost of Emily Brontë, feature as prominent roles in the narrative.

In her 2019 novel, The West Indian, Valerie Browne Lester imagines an origin story for Heathcliff in 1760s Jamaica.[129]

K-Ming Chang's 2021 chapbook Bone House was released by Bull City Press as part of their Inch series.[130] The collection functions as a queer Taiwanese-American retelling of Wuthering Heights, in which an unnamed narrator moves into a butcher's mansion "with a life of its own."[131]

Canadian author Hilary Scharper's ecogothic novel Perdita (2013) was deeply influenced by Wuthering Heights, namely in terms of the narrative role of powerful, cruel and desolate landscapes.[132]

The poem "Wuthering" (2017) by Tanya Grae uses Wuthering Heights as an allegory.[133]

Maryse Condé's Windward Heights (La migration des coeurs) (1995) is a reworking of Wuthering Heights set in Cuba and Guadeloupe at the turn of the 20th century, [134] which Condé stated she intended as an homage to Brontë.[135]

In 2011, a graphic novel version was published by Classical Comics.[136] It was adapted by Scottish writer Sean Michael Wilson and hand painted by comic book veteran artist John M. Burns. This version, which stays close to the original novel, was shortlisted for the Stan Lee Excelsior Awards.[137]

Music

Kate Bush's 1978 song "Wuthering Heights" is most likely the best-known creative work inspired by Brontë's story that is not properly an "adaptation". Bush wrote the song when she was 18 and chose it as the lead single from her debut album. It was primarily inspired by her viewing of the 1967 BBC adaptation. The song is sung from Catherine's point of view as she pleads at Heathcliff's window to be admitted. It uses quotations from Catherine, both in the chorus ("Let me in! I'm so cold!") and the verses, with Catherine admitting she had "bad dreams in the night". Critic Sheila Whiteley wrote that the ethereal quality of the vocal resonates with Cathy's dementia, and that Bush's high register has both "childlike qualities in its purity of tone" and an "underlying eroticism in its sinuous erotic contours".[138] Singer Pat Benatar covered the song in 1980 on her "Crimes of Passion" album. Brazilian heavy metal band Angra released a version of Bush's song on its debut album Angels Cry in 1993.[139] A 2018 cover of Bush's "Wuthering Heights" by Jimmy Urine adds electropunk elements.[140]

Wind & Wuthering (1976) by English rock band Genesis alludes to the Brontë novel not only in the album's title but also in the titles of two of its tracks, "Unquiet Slumbers for the Sleepers..." and "...In That Quiet Earth". Both titles refer to the closing lines of the novel.

Songwriter Jim Steinman said that he wrote the 1989 song "It's All Coming Back to Me Now" "while under the influence of Wuthering Heights". He said that the song was "about being enslaved and obsessed by love" and compared it to "Heathcliff digging up Cathy's corpse and dancing with it in the cold moonlight".[141]

The 2008 song "Cath..." by indie rock band Death Cab for Cutie was inspired by Wuthering Heights.


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