Lee often uses the transitional character of the bildungsroman, or coming-of-age stories. For instance, the protagonist of Lee's The Birthgrave undertakes a journey to understanding her identity and culture.[19]
Lee's two longest werewolf stories, "Wolfland" and Lycanthia, follow Lee's custom of reversing the images of popular culture icons. Lee approximates the werewolves' behaviours according to the social and hunting patterns of wild wolves. In altering this trope, she endows werewolf stories with a new and more positive mythos.[20]
Lee's 1971 debut was the children's book The Dragon Hoard; her first adult book was The Birthgrave in 1975.[21] Lee's prolific output spans a host of different genres, including adult fantasy, children's fantasy, science fiction, horror, Gothic horror, Gothic romance, and historical fiction. Her series of interconnected tales called The Flat-Earth Cycle, beginning with Night's Master and Death's Master, is similar in scope and breadth to Jack Vance's The Dying Earth.[22]
Night's Master contains allegorical tales involving Azhrarn, a demonic prince who kidnaps and raises a beautiful boy and separates him from the sorrow of the real world. Eventually, the boy wants to know more about the earth, and asks to be returned, setting off a series of encounters between Azhrarn and mankind, some horrific and some positive. Later tales are loosely based on Babylonian mythology. In the science fiction Four-BEE series, Lee explores youth culture and identity in a society which grants eternally young teenagers complete freedom. They are even killed and receive new bodies, gender and/or identity over and over again. Lee has also written a historical novel with The Gods are Thirsty, set during the French Revolution.[22]During the late 1980s she published three collections - Dreams of Dark and Light (1986), Women as Demons (1989) and The Forests of the Night (1989).[14]
A large part of Lee's output was children's fantasy, which has spanned her career from The Dragon Hoard in 1971 to the more recent The Claidi Journals containing Wolf Tower, Wolf Star, Wolf Queen and Wolf Wing in the late 1990s and early 2000s.[23]
Lee was published by various imprints, particularly depending on whether she is offering adult fiction or children's fantasy. Her earlier children's fantasy novels were published in hardcover by Macmillan UK and subsequently printed as paperbacks in the US often by DAW, with occasional hardcovers by St. Martin's Press. Some of her work was only printed in paperback, mainly in the US by DAW in the 1970s to the early 1980s. She has received some small press treatment, such as the Arkham House edition of short stories Dreams of Dark and Light: The Great Short Fiction of Tanith Lee in 1986, and in the first "Night Visions" instalment published by Dark Harvest.[4]
