- ^ Gold, Michael (February 1933). "The Education of John Dos Passos". The English Journal. 22 (2): 87–97. doi:10.2307/804561. JSTOR 804561.
- ^ Corkin, Stanley (Fall 1992). "John Dos Passos and the American Left: Recovering the Dialectic of History". Criticism. 34 (4): 591–611. JSTOR 23113524.
- ^ Goldman, Arnold (Spring 1970). "Dos Passos and His U.S.A.". New Literary History. 1 (3): 471–483. doi:10.2307/468267. JSTOR 468267.
- ^ Edwards, Justin (1999). "The Man with a Camera Eye: Cinematic Form and Hollywood Malediction in John Dos Passos's The Big Money". Literature/Film Quarterly. 27 (4): 245–254. JSTOR 468267.
- ^ Pizer, Donald (1985). "The "only words against POWER SUPERPOWER" Passage in John Dos Passos' The Big Money". The Papers of the Bibliographical Society of America. 79 (3): 427–434. doi:10.1086/pbsa.79.3.24303666. JSTOR 24303666. S2CID 163967414.
- ^ Casey, Janet Galligani (2005). ""Stories Told Sideways Out of the Big Mouth": Dos Passos's Bazinian Camera Eye". Literature/Film Quarterly. 33 (1): 20–27. JSTOR 43797207.
- ^ Lock, Stephen (Autumn 1995). "Historicizing the Female in U.S.A.: Re-Visions of Dos Passos's Trilogy". Twentieth Century Literature. 41 (3): 249–264. doi:10.2307/441851. JSTOR 441851.
- ^ Shyre, Paul; Dos Passos, John (1960). USA: A Dramatic Revue. Samuel French. ISBN 9780573617362. Retrieved 18 September 2014.
- ^ Sackler, Howard. "42nd Parallel Radio Production, 1/6". SoundCloud. Retrieved 18 September 2014.
- ^ a b Dos Passos, John (1896–1970). U.S.A. Daniel Aaron & Townsend Ludington, eds. New York: Library of America, 1996. (chronology)
- ^ LCCN 47-846 and OCLC 1 870 524
- ^ a b bookseller descriptions: copies for sale, December 2010, at ABEbooks, Alibris, Amazon, Biblio and elsewhere
- ^ a b personal copies of both editions
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