Triumph of the Will Leni Riefenstahl

1. ^ Barsam, Richard M (1975). Filmguide to Triumph of the Will. Bloomington, IN: Indiana University Press. p. 21.
2. ^ Rother 2003, p. 71.
3. ^ Hagopian, Kevin Jack. "Triumph of the Will – Film Notes". New York Writers Institute. University of Albany."When director Frank Capra was commissioned by the U.S. government to make what became the Why We Fight series of propaganda films in World War II, he screened a copy of Triumph of the Will which had been setd by the U.S. Customs office."
4. ^ Julia Jacobs, Philipp Schepp: "Triumph des Willens". In: Thomas Hoeren, Lena Meyer: Verbotene Filme. Berlin 2007, p. 177. (In German.)
5. ^ Hinton, David B. (1975). "Triumph of the Will: Document or Artifice?". Cinema Journal. 15 (1). University of Texas Press: 48–57. doi:10.2307/1225104. JSTOR 1225104.
6. ^ Rother 2003, p. 35.
7. ^ Rother 2003, p. 51.
8. ^ Starkman, R (1998). "Mother of All Spectacles: Ray Müller's "The Wonderful, Horrible Life of Leni Riefenstahl"". Film Quarterly. 51 (2 Winter, 1997–1998). University of California: 23. doi:10.2307/3697138. JSTOR 3697138.(subscription required)
9. ^ Hitler, Adolph (2000). "War Propaganda". In Marwick, A; Simpson, W (eds.). Primary Sources 2: Interwar and World War II. Milton Keynes, The Open University. pp. 79–82. ISBN 0-7492-8559-1.
10. ^ Rother 2003, p. 55.
11. ^ Trimborn, Jürgen (2008). Leni Riefenstahl: A Life. Farrar, Straus and Giroux. ISBN 978-1-4668-2164-4. Retrieved 12 April 2020.
12. ^ Rother 2003, p. 61.
13. ^ Rother 2003, p. 62.
14. ^ Rother 2003, p. 63.
15. ^ Rother 2003, p. 58.
16. ^ Barsam, Richard. "Filmguide to Triumph of the Will" (PDF). Retrieved 28 February 2015.
17. ^ a b Sontag, Susan (6 February 1975). "Fascinating Fascism". The New York Review of Books.
18. ^ Berenbaum, Michael (2007). The World Must Know: The History of the Holocaust as Told in the United States Holocaust Memorial Museum. Washington, D.C.: United States Holocaust Memorial Museum. pp. 24–25. ISBN 978-0-316-09134-3.
19. ^ "A perfect eye for mythology of the Nazis". The Sydney Morning Herald. 13 September 2003. Retrieved 10 September 2022.
20. ^ Williams, Val (10 September 2003). "Leni Riefenstahl". Obituaries. The Independent. p. xx. Archived from the original on 30 August 2009.
21. ^ Capra, Frank (1977). The Name above the Title: An Autobiography. Da Capo Press. p. 328. ISBN 0-306-80771-8. Retrieved 6 May 2012.
22. ^ "Lambeth Walk – Nazi Style (1942)". The Public Domain Review. Retrieved 22 January 2019.
23. ^ Barrow, Erik (1993). Documentary: A History of Non-fiction Films. Oxford: Oxford University Press. p. 151. ISBN 0-19-507898-5.
24. ^ "Into Battle No. 4: These are the Men". Indiana University Bloomington. Retrieved 10 September 2022.
25. ^ "Leni Riefenstahl: Hand-held history". The Economist. 11 September 2003.
26. ^ Rising, David (9 September 2003). "Hitler's filmmaker Leni Riefenstahl, revered and reviled for her work, dies at 101". Associated Press.
27. ^ Petropolous, Jonathan (11 September 2003). "Leni Riefenstahl, Coy Propagandist of the Nazi Era". The Wall Street Journal.
28. ^ Riding, Alan (9 September 2003). "Leni Riefenstahl, Filmmaker and Nazi Propagandist, Dies at 101". The New York Times.
29. ^ Harding, Luke (10 September 2003). "Leni Riefenstahl, Hitler's favourite film propagandist, dies at 101". The Guardian.
30. ^ a b Ebert, Roger (24 June 1994). "The Wonderful Horrible Life of Leni Riefenstahl". Chicago Sun-Times.
31. ^ Thomson, David (2010). The New Biographical Dictionary of Film, Fifth Edition. New York: Knopf. p. 822. ISBN 978-0-307-27174-7.
32. ^ Ebert, Roger (26 June 2008). "Triumph of the Will (1935)". Chicago Sun-Times. Archived from the original on 6 April 2011. Retrieved 12 September 2015.
33. ^ Susan Sontag, "On Style," in Against Interpretation and Other Essays (New York: Dell Publishing Company/Laurel, 1969 [originally published by Farrar, Straus & Giroux, 1966]) pp. 34-35. In the 1969 paperback edition, she observes that she does not necessarily agree with all the positions expressed in the book's essays, though "when I wrote them, I believed what I wrote" (p. 6).
34. ^ Reeves, Nicholas (2003) [1999]. The Power of Film Propaganda: Myth or Reality?. London; New York: Continuum. p. 107. ISBN 0-82647-390-3.
35. ^ Trimborn, Jürgen (2007). Leni Riefenstahl: A Life. New York: Faber and Faber. p. 240. ISBN 9780374184933.
36. ^ "Nazis Hold Lambeth Walk is 'Animalistic Hopping'", The New York Times January 8, 1939, p. 26
37. ^ "The Goofy, Anti-Nazi Parody Video That Enraged Goebbels". Slate magazine. 9 February 2016.
38. ^ Trimborn, pp. 123–124.
39. ^ Rollins, Peter C (ed.). (2003) “Indoctrination and Propaganda, 1942–1945” The Columbia companion to American history on film: How the movies have portrayed the American past. Columbia University Press. pp. 118.
40. ^ Hall, Phil (21 August 2009). "The Bootleg Files: Triumph of the Will". Film Threat. Retrieved 28 February 2024.
41. ^ Rother 2003, p. 148.
42. ^ Rother 2003, p. 150.
43. ^ Rother 2003, p. 149.
44. ^ Meyer 2007, p. 179.
45. ^ Meyer 2007, p. 184.
46. ^ "Copyright Restoration of Works in Accordance With the Uruguay Round Agreements Act; Notice". Federal Register. 61: 46133–46159. 30 August 1996.
47. ^ Pessach, Guy; Shur-Ofry, Michal (28 April 2019). "Copyright and the Holocaust". Yale Journal of Law & the Humanities. 30 (2): 9. ISSN 1041-6374. Retrieved 4 July 2020. (note 37)

Works cited

• Rother, Rainer (1 October 2003). Leni Riefenstahl: The Seduction of Genius. A&C Black. ISBN 9780826470232.
• Meyer, Lena (2007). Verbotene Filme (in German). Berlin: LIT Verlag Münster. ISBN 9783825801434.