- Erich Heller, The Ironic German: A Study of Thomas Mann (London, Secker & Warburg, 1958), pp. 68ff. (on the genesis of the work), 286 (on the date of publication).
- Frank Donald Hirschbach, The Arrow and the Lyre: A Study of the Role of Love in the Works of Thomas Mann (The Hague, M. Nijhoff, 1955), passim (but especially the section "The Loves of Two Artists: Tonio Kröger and Death in Venice", op. cit., pp. 14ff.).
- Lee Slochower, "The Name of Tadzio in Der Tod in Venedig", German Quarterly, vol. 35, No. 1 (January 1962).
- Alfred D. White, "Tonio Kröger: Anthropology and Creativity", Oxford German Studies, vol. 34, No. 2 (September 2005), pp. 217–223.
This content is from Wikipedia. GradeSaver is providing this content as a courtesy until we can offer a professionally written study guide by one of our staff editors. We do not consider this content professional or citable. Please use your discretion when relying on it.