The Tempest William Shakespeare

When analyzing two film adaptations of William Shakespeare’s 1610 play The Tempest, it becomes clear that the word “adaptation” is merely a broad term that barely describes the translations and deviations evidenced by the films themselves. Fred M....

A variant of prosperity, Prospero undoubtedly serves as the major manipulative authority throughout Shakespeare’s drama, The Tempest. Through a postcolonial reading of the text, one can discern that The Tempest is riddled with native characters,...

In Wertenbaker’s Our Country’s Good and Shakespeare’s The Tempest, techniques including scene titles, a play within a play, self-referencing and music are utilised in order to effectively convey messages that would not be as profound using only ‘...

Comic elements are often said to be integral in both in Our Country’s Good by Timberlake Wertenbaker and The Tempest by William Shakespeare. In The Tempest, the characters of Trinculo and Stephano are arguable almost entirely for comic effect,...

During the 16th century, the court masque was a popular form of entertainment, one often used to celebrate the king and aristocracy. Shakespeare's greatest contribution to the genre was his play The Tempest, which masterfully wove the elements of...

William Shakespeare’s usage of the trope of courtly love in The Tempest is not what it seems. In The Tempest, a man trained in the art of magic, Prospero, causes a shipwreck on his island. On this ship is his brother, Antonio, who usurped...

Shakespeare’s works revel as masterpieces centuries after their debut, influencing generations of writers including 20th century author Aldous Huxley. Huxley’s 1932 novel, Brave New World, stands as a distinct reincarnation of Shakespeare’s The...

At first glance, the ending of Shakespeare’s The Tempest appears to be stable, to have reconciled Prospero with his estranged brother and to demonstrate virtuous behavior on the part of Prospero. Indeed, one critic noted that Prospero’s “capacity...

The practice of theatrically adapting Shakespeare’s works has been popular for close to four hundred years (Fischlin and Fortier 1); the high points of appropriation were the Restoration and the second half of the twentieth century. Recent...

Do the ends justify the means? People have been asking this question since the beginning of time, but often cannot find an answer. The Tempest is about deception and manipulation of the truth, but ends with a morally clear message. Prospero is the...

Shakespeare’s minor characters are as often as diverse and essential to the plot as their protagonist counterparts, used within his plays to illuminate the main characters’ goals and feelings. The presence of these personages also expands upon the...

Throughout the narrative of William Shakespeare’s play, The Tempest, the idea of loyalty is discussed in different scenarios and different situations that align with each separate facet of the plot. While this principle is regularly utilized...

James Hoyle theorizes that the main sources for The Tempest revolves around the Bible story of Joseph and his Brothers in which the spirit of envy and consequent, reconciliation and pardon predominates. This storyline markedly contrasts with the...

What is reality? And how do we know for sure that the reality in which we live is not a false one? For some people the answer is clear, but for others the answer is a muddy one. A portion of a person’s individual psyche is more powerful than...

"I already know a thing or two. I know it’s not clothes that make women beautiful or otherwise, nor beauty care, nor expensive creams, nor the distinction or costliness of their finery. I know the problem lies elsewhere. I don’t know where. I only...

A play can have power over its audience, whether it simply captivates them with its plot or makes them question their beliefs with its commentary. Though while the actors are the ones directly exercising this power over the audience, it is the...

Marlowe’s Doctor Faustus and Shakespeare’s The Tempest present similar definitions of “power” through the differing circumstances of their protagonists. Power, in these plays, can be thought of as “control of the unknown.” If one character has...

Many of Shakespeare’s plays contain the structural and symbolic elements of mythology. The inheritance of mythological conventions, which shall be explored in this essay, create an effect that is ritualistic and leads to Nietzsche’s observation of...

Published in 1818, Mary Shelley’s Frankenstein remains a revolutionary literary achievement whose iconic monster continues to captive modern readers. William Shakespeare, hundreds of years prior to Shelley, also cast a monster at the center of his...

Familial relationships are the principal driving force behind the plot of Shakespeare’s last play, The Tempest. For example, the sole reason Prospero, the protagonist, is on the island is because of his brother, Antonio, usurping him. Despite the...

Musical symbolism pervades the works of renaissance and medieval literature―used as a tool by authors to emphasize persona, atmosphere, tone, or simply to drive the plot forward. Instruments, singing, and moreover music in general are abundant...

William Shakespeare’s play, The Tempest, depicts characters of different beliefs and values. Apart from their mental differences, some are also set apart by certain physical features that cohere with the plot and extract different themes. One such...

The most compelling characters in modern literature and plays are the ones whose motivations tend to be complex, thus demand a deeper analysis of which part of their conscious their decisions arise from – the impulsive Id, the balancing Ego, or...

Discoveries that lead to self-reflection and future enlightenment often hold the most significance in our lives. The capacity for discoveries to take a metamorphic effect on an individual and alleviate former times is conducive to their...