Critics from the two major newspapers in the two major cities in which the play has opened both noted concerns about the genre of the work.
The Chicago Tribune critic, Chris Jones, notes that the play is hardly traditional theater, because dialogue rather than action drives the story, yet McCarthy's language is so rich that it makes up for the lack of incident. "Now if only McCarthy would write an actual play," Jones writes.[1] The New York Times calls the play "a poem in celebration of death," yet the play's paperback version (as if anticipating the criticism) includes the intriguingly suggestive subtitle "a novel in dramatic form", which raises many questions about the work's proper genre.[2]
