The Sound and the Fury
In Defense of Jason Compson IV
Once a bitch always a bitch, what I say. I says you're lucky if her playing out of school is all that worries you. I says she ought to be down there in that kitchen right now, instead of up there in her room, gobbing paint on her face and waiting for six niggers that cant even stand up out of a chair unless they've got a pan full of bread and meat to balance them, to fix breakfast for her. And Mother says, (113)
In a harsh, sarcastic voice of insolence, Jason's section roars off to a start that immediately distances itself from the first two. No longer in the incoherent worlds of an idiot and suicidal youngster, the ensuing monologue seemingly marks a return to some form of sanity. But the fluent discourse does little to help the reader decipher the troubling mind of this relentless villain. His discrepancies between thought and action portray a man helplessly lost in a world he foolishly believes to comprehend. His reiteration of "Like I say once a bitch always a bitch" at the end of his speech shows a man out of touch with a tangible world, consumed by a past he has no control over. He thus emerges as a tortured torturer; a sarcastic man who himself is the object of satire. For he is as much a part of the...
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