The Land of Green Plums

Genre

Herta Müller, 2007

Autobiography

The novel is partly autobiographical. Like her narrator, Müller comes from the German-speaking minority in Romania, the Banat Swabians, with a father who had been former SS man during World War II. Trained as a teacher, she lost her position after refusing to cooperate with the Securitate. She emigrated to Germany in 1987.[8] In a 1998 interview she mentioned that real persons can be recognized in some of her characters, including one in The Land of Green Plums: "That [recognition of characters] was already the case in my previous book [The Land of the Green Plums]. Because my best girlfriend died young, and because she had betrayed me, and because I had to despise her and could not stop loving her."[9]

In an earlier interview with the Danish newspaper Politiken, Müller went into greater detail about her friend, portrayed as Tereza in this novel:

I had a good friend in Romania, who came and visited me in Germany, when I had finally escaped from the country. She was in the service of the Securitate, as it turned out. She had left her passport lying out, and I saw it by chance one morning, when she was out. No ordinary person had such a passport with visas to Greece, to Italy, and Spain. She confessed everything, and shortly after I naturally had to throw her out. This happened in the same period that I was receiving death threats like many others who had fled from Romania, and I kept far away from Romanians I did not know or could not count on. But she was my friend.[7]

Allegory

The novel approaches allegory[10] in many of its details, such as the green plums of the title. Mothers warn their children not to eat green, unripe plums, claiming that they are poisonous. Yet the novel regularly depicts police officers gorging themselves on the fruit: "The officers' lack of constraint in engulfing the fruit parallels the remorseless persecution of the human race" under Nicolae Ceauşescu.[11] The green plums also suggest childhood, or regression into childhood: "The narrator watches the Romanian police guards in the streets of the city as they greedily pocket green plums ... 'They reverted to childhood, stealing plums from village trees.' Ms. Muller's vision of a police state manned by plum thieves reads like a kind of fairy tale on the mingled evils of gluttony, stupidity and brutality."[12]


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