The History of Tom Jones, a Foundling

Style

The highly visible narrator is a central feature of Tom Jones. Each book begins with a prefatory chapter directly addressing the reader, and the narrator provides a continuous commentary on characters and events. According to Wayne C. Booth, the reader's relationship with the narrator is something like a subplot. The reader becomes more attached to the narrator over the course of the book, culminating in a heartfelt farewell.[7]

The fight at the inn at Upton

Fielding presents a panorama of contemporary British life, drawing characters from many different classes and occupations. But Ian Watt argues in The Rise of the Novel that Fielding did not aim at the "realism of presentation" of lifelike detail and psychology practised by authors such as Richardson. Watt claims that Fielding was more focused on the "realism of assessment," the way in which the novel engages a broad range of topics with intelligence and "a wise assessment of life."[8]


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