- ^ a b c d e f g h Keymer 2009.
- ^ a b Wharton & Mayersen 1984, p. 92.
- ^ Tomarken 1989, p. 14.
- ^ Kurtz 2015.
- ^ Quote attributed to John Robert Moore in Tomarken 1989, p. 20
- ^ a b c Borges 2013, p. 79-86.
- ^ Belcher 2012.
- ^ Nassir 1989.
- ^ Arieti 1981.
- ^ Rees 2010.
- ^ Wasserman 1975.
- ^ Kolb 1949.
- ^ Tillotson 1942.
- ^ Weitzman 1969.
- ^ Gray 1985.
- ^ a b Belcher 2009.
- ^ Johnson 1819, p. 2.
- ^ a b Trent 1920.
- ^ Ehrenpreis 1981.
- ^ Hawkins 2013.
- ^ O'Flaherty 1970.
- ^ Pahl 2012.
- ^ Boswell 2008.
- ^ a b c Khrisat, Abdulhafeth Ali. The Image of the Orient in Samuel Johnson’s Rasselas (1759). 2012, p. 9. Google Scholar ISSN 2225-0484. Accessed 13 Oct. 2021.
- ^ Johnston, Alastair (21 March 2012). "Weird And Wonderful Typography – Yet Still Illegible". Smashing Magazine. Retrieved 11 August 2021.
- ^ Johnson, Samuel (1804). Rasselas, Prince of Abissinia. By Dr. Johnson. Printed with Patent Types in a Manner Never Before Attempted. Rusher's Edition. Banbury: P. Rusher. Retrieved 11 August 2021.
- ^ Richard 2003.
- ^ a b Johnson 2008, p. 176.
- ^ Chisholm 2015.
- ^ a b c BBC 2015.
- ^ Dr Johnson's House
- ^ McDaid.
- ^ arteHistoria.
- ^ Zewde 2002, p. 87.
- ^ Belcher & Herouy 2015.
- ^ Lewis 1943.
- ^ Dubosarsky.
- ^ Brown 1922.
- ^ LINC Tasmania.
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