The Grand Illusion Literary Elements

The Grand Illusion Literary Elements

Director

Jean Renoir

Leading Actors/Actresses

Jean Gabin, Pierre Fresnay, and Marcel Dalio

Supporting Actors/Actresses

Erich von Stroheim and Dita Parlo

Genre

War

Language

French

Awards

The Grand Illusion was nominated for the Academy Award for Best Picture in 1939, the first foreign language film to earn such a nomination.

Date of Release

The film was released in Europe in June 8, 1937; it was released in the United States on September 12, 1938.

Producer

Jean Renoir and Charles Spaak

Setting and Context

In Germany during World War I

Narrator and Point of View

La Grande Illusion is told from the third-person point of view of an unnamed narrator.

Tone and Mood

The film is violent, intense, tense, mysterious, frenetic, oppressive, and high-class.

Protagonist and Antagonist

Maréchal is the primary protagonist of the film; von Rauffenstein is the antagonist of the film.

Major Conflict

The major conflict of the film revolves around Maréchal and de Boëldieu's attempts to escape from von Rauffenstein and his prisons.

Climax

When von Rauffenstein shoots and kills de Boëldieu during his attempt to escape.

Foreshadowing

de Boëldieu's death is foreshadowed when he initially meets von Rauffenstein, who talks about death.

Understatement

Because of his illness and injury, von Rauffenstein's capability and his ability to inflict violence are understated for the second half of the film.

Innovations in Filming or Lighting or Camera Techniques

Though the film is widely regarded as the best well-shot and well-lit, it was not innovative in its filming, lighting, and camera techniques.

Allusions

There are a number of allusions to the history of World War I, the geography, culture, and history of Germany, Switzerland, and France, other popular culture (particularly films), Christianity, and Greek and Roman mythology.

Paradox

von Rauffenstein injured and treated de Boëldieu horribly, yet still expects de Boëldieu to have positive feelings and loyalty towards him.

Parallelism

N/A

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