The TimeOut reviewer wrote of the 2016 production: "A jazzy, poetic fever dream about the wounds left by erasure on the book of history,... Clearly, this is not an easy play to dissect or digest, with diverse influences that suggest Gertrude Stein, Adrienne Kennedy, Samuel Beckett and Glenn Ligon. It’s a jagged, angry, weird text, yet director Lileana Blain-Cruz stages it in high style, with a skin-prickling soundscape by Palmer Hefferan (including dance-break music that’s aggressively fun) and a raft of brave in-your-face performances."[8]
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