Much Ado About Nothing
The Art of Storytelling
Picasso once said, "Art is lies that tell the truth." Art requires the suspension of reality or rather the ability to transcend the expected. In suspending that reality, however, greater truths can be addressed without the restrictions established by grounding the work within the confines of everyday existence. Throughout William Shakespeare's comedic play Much Ado about Nothing, the art of deceit exposes pre-existing truths. Furthermore, because deceit is employed for an amiable intent and outcome, the dishonest means by which this truth is uncovered is justified. While the companions of Beatrice and Benedick contrive them into thinking the other loves them first, they are merely offering a gentle nudge to a romance that existed all along. Because Beatrice and Benedick do in fact love one another, their companions commit no wrong by spreading those rumors. Whether or not the end justifies the means is academic and too generic to be covered in that blanket statement. Rather, the focus should be that the perhaps-deceitful means are excusable when the intention and outcome result in the uncovering of a truth.
Somewhat concealed amidst the sparring of wit between Benedick and Beatrice lies a true love and sense of...
Join Now to View Premium Content
GradeSaver provides access to 769 study guide PDFs and quizzes, 5119 literature essays, 1554 sample college application essays, 195 lesson plans, and ad-free surfing in this premium content, “Members Only” section of the site! Membership includes a 10% discount on all editing orders.
Already a member? Log in