Box office
During its initial theatrical run, the film earned $15 million in box office rentals in the United States and Canada.[86]
Critical reaction
Bosley Crowther of The New York Times called the film "vast, awe-inspiring, beautiful with ever-changing hues, exhausting and barren of humanity". He further wrote Lawrence's characterisation was lost within the spectacle, writing the film "reduces a legendary figure to conventional movie-hero size amidst magnificent and exotic scenery but a conventional lot of action-film cliches".[87] Similarly, Variety wrote that the film was "a sweepingly produced, directed and lensed job. Authentic desert locations, a stellar cast and an intriguing subject combine to put this into the blockbuster league." However, it later noted Bolt's screenplay "does not tell the audience anything much new about Lawrence of Arabia nor does it offer any opinion or theory about the character of this man or the motivation for his actions".[88] Philip K. Scheuer of the Los Angeles Times wrote: "It is also one of the most magnificent pictures, if not the magnificent, and one of the most exasperating ... The awesome majesty of the landscapes in Jordan and elsewhere, the mass movements of Bedouins and British and Turks with, of course, the ever-present camels, sweep against the eye long after one has lost the ability to exclaim in astonishment over them. And all this is Technicolor and Super Panavision 70, the finest process, under F. A. Young as director of photography. Maurice Jarre composed a score to match."[89]
A review in Time magazine felt that while Lawrence of Arabia "falls far short of Kwai in dramatic impact, it nevertheless presents a vivid and intelligent spectacle". It further praised O'Toole's performance, writing he "continually dominates the screen, and he dominates it with professional skill, Irish charm and smashing good looks".[90] Chicago Tribune wrote the photography was "no less than superb" and felt the script "is taut and expressive and the musical score deftly attuned to the tale. Director David Lean has molded his massive material with skill, but personally I felt the film was too long, the running time is 221 minutes, or 20 minutes short of 4 hours and in the latter part, unnecessarily bloody."[91] A review in Newsweek praised the film as "an admirably seriously film ... The size, the scope, the fantastical scale of his personality and his achievement is triumphantly there." It also praised the ensemble cast as "all as good as they ought to be. And Peter O'Toole is not only good; he is an unnerving look-alike of the real Lawrence. He is reliably unreliable, steadily mercurial."[92]
In 1998, the American Film Institute (AFI) ranked Lawrence of Arabia in fifth place in their list of 100 Years...100 Movies. In 2006, AFI ranked the film #30 on its list of most inspiring movies.[93] In 2007, it was ranked in seventh place in their updated list and listed as the first of the greatest American films of the "epic" genre.[94] In 1991, the film was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry.[8] In 1999, the film placed third in the British Film Institute's poll of the best British films of the 20th century. In 2001, the magazine Total Film called it "as shockingly beautiful and hugely intelligent as any film ever made" and "faultless".[95]
It was ranked in the top ten films of all time in the 2002 Sight and Sound directors' poll.[96] In 2004, it was voted the best British film of all time by over 200 respondents in The Sunday Telegraph poll of Britain's leading filmmakers.[97] O'Toole's performance is often considered one of the greatest in cinema history, topping lists from Entertainment Weekly and Première. T. E. Lawrence, portrayed by O'Toole, was selected as the tenth-greatest hero in cinema history by the American Film Institute.[98] In 2012, the Motion Picture Editors Guild listed the film as the seventh best-edited of all time based on a survey of its membership.[99] In March 2024, Robbie Collin of The Telegraph ranked Lawrence of Arabia as the greatest biographical film of all time.[100]
Lawrence of Arabia is currently one of the highest-rated films on Metacritic; it holds a perfect 100 rating based on eight reviews.[101] It has a 94% approval rating on Rotten Tomatoes based on 133 reviews, with an average rating of 9.30/10. Its critical consensus reads: "The epic of all epics, Lawrence of Arabia cements director David Lean's status in the film-making pantheon with nearly four hours of grand scope, brilliant performances, and beautiful cinematography."[102]
The Japanese filmmaker Akira Kurosawa cited this movie as one of his 100 favourite films.[103]
Awards and honours
Award | Category | Nominee(s) | Result |
---|---|---|---|
Academy Awards[104] | Best Picture | Sam Spiegel | Won |
Best Director | David Lean | Won | |
Best Actor | Peter O'Toole | Nominated | |
Best Supporting Actor | Omar Sharif | Nominated | |
Best Screenplay – Based on Material from Another Medium | Robert Bolt and Michael Wilson | Nominated | |
Best Art Direction – Color | John Box, John Stoll and Dario Simoni | Won | |
Best Cinematography – Color | Freddie Young | Won | |
Best Film Editing | Anne V. Coates | Won | |
Best Music Score – Substantially Original | Maurice Jarre | Won | |
Best Sound | John Cox | Won | |
American Cinema Editors Awards | Best Edited Feature Film | Anne V. Coates | Nominated |
British Academy Film Awards[105] | Best Film from any Source | Won | |
Best British Film | Won | ||
Best British Actor | Peter O'Toole | Won | |
Best Foreign Actor | Anthony Quinn | Nominated | |
Best British Screenplay | Robert Bolt | Won | |
British Society of Cinematographers[106] | Best Cinematography | Freddie Young | Won |
David di Donatello Awards | Best Foreign Production | Sam Spiegel | Won |
Best Foreign Actor | Peter O'Toole | Won[a] | |
Directors Guild of America Awards[107] | Outstanding Directorial Achievement in Motion Pictures | David Lean | Won |
Golden Globe Awards[108] | Best Motion Picture – Drama | Won | |
Best Actor in a Motion Picture – Drama | Peter O'Toole | Nominated | |
Anthony Quinn | Nominated | ||
Best Supporting Actor – Motion Picture | Omar Sharif | Won | |
Best Director – Motion Picture | David Lean | Won | |
Most Promising Newcomer – Male | Peter O'Toole | Won | |
Omar Sharif | Won | ||
Best Cinematography – Color | Freddie Young | Won | |
Grammy Awards[109] | Best Original Score from a Motion Picture or Television Show | Maurice Jarre | Nominated |
Best Instrumental Theme | Nominated | ||
International Film Music Critics Association Awards[110] | Best Archival Release of an Existing Score | Maurice Jarre, Nic Raine, Jim Fitzpatrick and Frank K. DeWald | Nominated |
Kinema Junpo Awards | Best Foreign Language Film | David Lean | Won |
Laurel Awards | Top Road Show | Won | |
Top Male Dramatic Performance | Peter O'Toole | Nominated | |
Top Male Supporting Performance | Omar Sharif | Nominated | |
Top Song | Maurice Jarre (for the "Theme Song") | Nominated | |
Nastro d'Argento | Best Foreign Director | David Lean | Won |
National Board of Review Awards[111] | Top Ten Films | 4th Place | |
Best Director | David Lean | Won | |
National Film Preservation Board | National Film Registry | Inducted | |
Online Film & Television Association Awards[112] | Hall of Fame – Motion Picture | Won | |
Producers Guild of America Awards | PGA Hall of Fame – Motion Pictures | Sam Spiegel | Won |
Saturn Awards | Best DVD or Blu-ray Special Edition Release | Lawrence of Arabia: 50th Anniversary Collector's Edition | Nominated |
Writers' Guild of Great Britain Awards | Best British Dramatic Screenplay | Robert Bolt and Michael Wilson | Won |