Moss contributed to experimental literary theory by introducing the metaphor of a fork to conceptualize how people internalize art and literature.[6] The fork as a metaphor for understanding represents bifurcation, and Moss argues that the branching out of the mind to understand art mimics the branching tines of a fork. She uses the word "limited" to express that, though an observer gains understanding of art through these bifurcated systems of comprehension, the same systems limit their understanding. Just as one can only eat that which adheres to the tines of a fork, one can only internalize the facets of a piece of art that adhere to these bifurcated tines of understanding.
The development of Moss's POAMs (products of acts of making) coincided with her theoretical development of Limited Fork. These multimedia pieces use as many sensory elements as possible, including movement, color, and sound. Moss has also expressed interest in incorporating olfactory elements in future projects.[7] These POAMS are usually displayed in galleries, but many can be found online in podcasts, journals, and on YouTube.
The complexities associated with the epistemological application of Limited Fork Theory caused Moss to adopt the persona of Forker Girl/Forker Gryle, pseudonyms under which she runs blogs and an Instagram account explaining details of both her life and her theory.
