- Manhattan Love Song (1934) (based on the novel), directed by Leonard Fields
- Convicted (1938) (based on the short story "Face Work"), directed by Leon Barsha
- Street of Chance (1942) (based on the novel The Black Curtain), directed by Jack Hively
- The Leopard Man (1943) (novel Black Alibi), directed by Jacques Tourneur
- Phantom Lady (1944) (based on the novel), directed by Robert Siodmak
- The Mark of the Whistler (1944) (based on the story "Dormant Account"), directed by William Castle
- Deadline at Dawn (1946) (based on the novel), the only film directed by stage director Harold Clurman
- Black Angel (1946) (based on the novel), directed by Roy William Neill
- The Chase (1946) (based on the novel The Black Path of Fear). directed by Arthur Ripley
- Fall Guy (1947) (based on the story "Cocaine"), directed by Reginald Le Borg
- The Guilty (1947) (based on the story "He Looked Like Murder"), directed by John Reinhardt
- Fear in the Night (1947) (based on the story story "Nightmare"), directed by Maxwell Shane
- The Return of the Whistler (1948) (based on the story "All at Once, No Alice"), directed by D. Ross Lederman
- I Wouldn't Be in Your Shoes (1948) (based on the story), directed by William Nigh
- Night Has a Thousand Eyes (1948) (based on the novel), directed by John Farrow
- The Window (1949) (based on the story "The Boy Cried Murder"), directed by Ted Tetzlaff
- No Man of Her Own (1950) (based on the novel I Married a Dead Man), directed by Mitchell Leisen
- The Earring (1951) (based on the story "The Death Stone"), directed by León Klimovsky
- The Trace of Some Lips (1952)[9] (based on the story "Collared"), directed by Juan Bustillo Oro
- If I Should Die Before I Wake (1952),[10] directed by Carlos Hugo Christensen
- Don't Ever Open That Door (1952) (an anthology film based on the stories "Somebody on the Phone" and "Humming Bird Comes Home") directed by Carlos Hugo Christensen
- Rear Window (1954) (based on the story "It Had to Be Murder"), directed by Alfred Hitchcock
- Obsession (1954) (based on the story "Silent as the Grave"), directed by Jean Delannoy
- The Glass Eye (1956), directed by Antonio Santillán
- Nightmare (1956) (based on the story), directed by Maxwell Shane
- Escapade (1957) (based on the story "Cinderella and the Mob"), directed by Ralph Habib
- Ah, Bomb! (1964) (based on the story Adventures of a Fountain Pen), directed by Kihachi Okamoto
- The Boy Cried Murder (1966) (based on the story The Boy Cried Murder), directed by George P. Breakston
- The Bride Wore Black (1968) (based on the novel), directed by François Truffaut
- Mississippi Mermaid (1969) (based on the novel Waltz into Darkness), directed by François Truffaut
- Kati Patang (1970) (based on the novel I Married a Dead Man),[11] directed by Shakti Samanta
- Seven Blood-Stained Orchids (1972) (based on the novel Rendezvous in Black), directed by Umberto Lenzi
- You'll Never See Me Again (1973), TV Movie directed by Jeannot Szwarc
- Martha (1974) (based on the story For the Rest of Her Life), directed by Rainer Werner Fassbinder
- Gun Moll (1975) (based on the story "Collared"), directed by Giorgio Capitani
- Union City (1980) (based on the story "The Corpse Next Door"), directed by Marcus Reichert
- I Married a Shadow (1983) (based on the novel I Married a Dead Man)
- Cloak & Dagger (1984) (story "The Boy Who Cried Murder"), directed by Richard Franklin
- I'm Dangerous Tonight (1990) (based on the story "I'm Dangerous Tonight"), directed by Tobe Hooper
- Mrs. Winterbourne (1996) (based on the novel "I Married a Dead Man"), directed by Richard Benjamin
- Rear Window (1998) (based on the story "It Had to Be Murder"), directed by Jeff Bleckner
- Original Sin (2001) (based on the novel Waltz into Darkness), directed by Michael Cristofer
- Four O'Clock (2006) (based on the story "Three O'Clock")
This content is from Wikipedia. GradeSaver is providing this content as a courtesy until we can offer a professionally written study guide by one of our staff editors. We do not consider this content professional or citable. Please use your discretion when relying on it.
