His Girl Friday

Reception

Cary Grant and Rosalind Russell

Contemporary reviews from critics were very positive. Critics were particularly impressed by the gender change of the reporter.[25] Frank S. Nugent of The New York Times wrote "Except to add that we've seen The Front Page under its own name and others so often before we've grown a little tired of it, we don't mind conceding His Girl Friday is a bold-faced reprint of what was once—and still remains—the maddest newspaper comedy of our times."[29] The Variety reviewer wrote "The trappings are different—even to the extent of making reporter Hildy Johnson a femme—but it is still Front Page and Columbia need not regret it. Charles Leder (sic) has done an excellent screenwriting job on it and producer-director Howard Hawks has made a film that can stand alone almost anywhere and grab healthy grosses."[30] Harrison's Reports wrote "Even though the story and its development will be familiar to those who saw the first version of The Front Page, they will be entertained just the same, for the action is so exciting that it holds one in tense suspense throughout."[31] Film Daily wrote "Given a snappy pace, a top flight cast, good production and able direction, the film has all the necessary qualities for first-rate entertainment for any type of audience."[32] John Mosher of The New Yorker wrote that after years of "feeble, wispy, sad imitations" of The Front Page, he found this authentic adaptation of the original to be "as fresh and undated and bright a film as you could want".[33] Louis Marcorelles called His Girl Friday "le film américain par excellence".[34]

On Rotten Tomatoes, the film holds an approval rating of 99% based on 100 reviews, with an average rating of 9.00/10. The website's critics consensus reads: "Anchored by stellar performances from Cary Grant and Rosalind Russell, His Girl Friday is possibly the definitive screwball romantic comedy."[35]

In the 2012 Sight & Sound poll of the greatest films of all time, His Girl Friday appeared on several lists, including those of critic David Thomson[36] and director Quentin Tarantino.[37]


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