The Panic of 1837 forced Gansevoort to file for bankruptcy in April. In June, Maria told the younger children they needed to leave Albany for somewhere cheaper. Gansevoort began studying law in New York City while Herman managed the farm before getting a teaching position at Sikes District School near Lenox, Massachusetts. He taught about 30 students of various ages, including some his own age.[44]
The semester over, he returned to his mother in 1838. In February he was elected president of the Philo Logos Society, which Peter Gansevoort invited to move into Stanwix Hall for no rent. In the Albany Microscope in March, Melville published two polemical letters about issues in vogue in the debating societies. Historians Leon Howard and Hershel Parker suggest the motive behind the letters was a youthful desire to have his rhetorical skills publicly recognized.[45] In May, the Melvilles moved to a rented house in Lansingburgh, almost 12 miles north of Albany.[46] Nothing is known about what Melville did or where he went for several months after he finished teaching at Sikes.[47] On November 12, five days after arriving in Lansingburgh, Melville paid for a term at Lansingburgh Academy to study surveying and engineering. In an April 1839 letter recommending Herman for a job in the Engineer Department of the Erie Canal, Peter Gansevoort says his nephew "possesses the ambition to make himself useful in a business which he desires to make his profession," but no job resulted.[48]
Just weeks after this failure, Melville's first known published essay appeared. Using the initials "L.A.V.", Herman contributed "Fragments from a Writing Desk" to the weekly newspaper Democratic Press and Lansingburgh Advertiser, which printed it in two installments, the first on May 4.[49] According to Merton Sealts, his use of heavy-handed allusions reveals familiarity with the work of William Shakespeare, John Milton, Walter Scott, Richard Brinsley Sheridan, Edmund Burke, Samuel Taylor Coleridge, Lord Byron, and Thomas Moore.[50] Parker calls the piece "characteristic Melvillean mood-stuff" and considers its style "excessive enough [...] to indulge his extravagances and just enough overdone to allow him to deny that he was taking his style seriously".[49] For Delbanco, the style is "overheated in the manner of Poe, with sexually charged echoes of Byron and The Arabian Nights".[51]
