Hamlet William Shakespeare

Editions of Hamlet

• Barnet, Sylvan, ed. (1998). Hamlet. Signet Classics. ISBN 978-0451526922.
• Bate, Jonathan; Rasmussen, Eric, eds. (2007). Complete Works. The RSC Shakespeare. New York: Royal Shakespeare Company. ISBN 978-0-679-64295-4.
• Bate, Jonathan; Rasmussen, Eric, eds. (2008). Hamlet. The RSC Shakespeare. The Royal Shakespeare Company. ISBN 978-0-230-21786-7.
• Edwards, Phillip, ed. (1985). Hamlet, Prince of Denmark. New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0-521-29366-2.
• Evans, G. Blakemore, ed. (1974). The Riverside Shakespeare. The Riverside Shakespeare. Houghton Mifflin for Riverside Shakespeare Company. ISBN 978-0-395-04402-5.
• Hibbard, G. R., ed. (1987). Hamlet. Oxford World's Classics. Oxford: Oxford University Press. ISBN 0-19-283416-9.
• Irace, Kathleen O., ed. (1998). The First Quarto of Hamlet. New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 0-521-65390-8.
• Jenkins, Harold, ed. (1982). Hamlet. Arden Shakespeare, second series. London: Methuen. ISBN 1-903436-67-2.
• Lott, Bernard, ed. (1970). Hamlet. New Swan Shakespeare, Advanced series (New ed.). London: Longman. ISBN 0-582-52742-2.
• Thompson, Ann; Taylor, Neil, eds. (2006). Hamlet. Arden Shakespeare, third series. Vol. 1. London: Cengage Learning. ISBN 1-904271-33-2.
• Thompson, Ann; Taylor, Neil, eds. (2006). Hamlet: The Texts of 1603 and 1623. Arden Shakespeare, third series. Vol. 2. London: Cengage Learning. ISBN 1-904271-80-4.
• Wells, Stanley; Taylor, Gary, eds. (1988). The Complete Works. The Oxford Shakespeare (Compact ed.). Oxford: Clarendon Press. ISBN 0-19-871190-5.
• Weiner, Albert B., ed. (1962). William Shakespeare, Hamlet; The First Quarto 1603. Barrons Educational Series.

Secondary sources

• Banham, Martin, ed. (1998). The Cambridge Guide to Theatre. Cambridge Guides. Cambridge: Cambridge University Press. ISBN 0-521-43437-8.
• Barratt, Mark (2005). Ian Mckellen: An Unofficial Biography. Virgin Books. ISBN 978-1-85227-251-7.
• Benedetti, Jean (1999) [1988]. Stanislavski: His Life and Art (Revised ed.). London: Methuen. ISBN 0-413-52520-1.
• Billington, Michael (4 May 2001). "Hamlet – Royal Shakespeare Theatre, Stratford Upon Avon". Theatre. The Guardian. London.
• Billington, Michael (6 August 2008). "Hamlet – Courtyard, Stratford-upon-Avon". Theatre. The Guardian. London.
• Bloom, Harold (1994). The Western Canon. New York: Harcourt Brace. ISBN 978-1-57322-514-4.
• Bloom, Harold (2003). Hamlet: Poem Unlimited. Edinburgh: Canongate. ISBN 1-84195-461-6.
• Bloom, Harold; Foster, Brett, eds. (2008). Hamlet. Bloom's Shakespeare through the ages. Bloom's Literary Criticism. ISBN 978-0-7910-9592-8.
• Blum, Daniel C. (1981). A Pictorial History of the American Theatre, 1860–1980 (5th ed.). Crown Publishers. ISBN 978-0-517-54262-0.
• Brandes, Philip (5 July 2001). "A Viking Helmet for Hamlet in Satirical Mad Boy Chronicle". Los Angeles Times. Retrieved 20 December 2017.
• Braun, Edward (1982). The Director and the Stage: From Naturalism to Grotowski. London: Methuen. ISBN 978-0-413-46300-5.
• Britton, Celia (1995). "Structuralist and poststructuralist psychoanalytic and Marxist theories". In Seldon, Raman (ed.). From Formalism to Poststructuralism. Cambridge History of Literary Criticism. Vol. 8. Cambridge: Cambridge University Press. ISBN 978-0-521-30013-1.
• Brode, Douglas (2001). Shakespeare in the Movies: From the Silent Era to Today. New York: Berkley Boulevard Books. ISBN 0-425-18176-6.
• "Cook, Eyre, Lee And More Join Jude Law In Grandage's Hamlet". Broadwayworld. 4 February 2009. Retrieved 18 February 2009.
• Brown, Mark (1 April 2016). "Sherlock star Andrew Scott to play Hamlet in new UK production". Theatre. The Guardian. London. Retrieved 22 July 2016.
• Brown, Mark (11 April 2018). "Shakespeare's Globe casts its own artistic director as Hamlet". Theatre. The Guardian. London.
• Budd, Susan (2005). Rusbridger, Richard (ed.). Introducing Psychoanalysis: Essential Themes and Topics. Routledge. ISBN 978-1-135-44570-6.
• Burian, Jarka (2004) [1993]. "Hamlet in Postwar Czech Theatre". In Kennedy, Dennis (ed.). Foreign Shakespeare: Contemporary Performance (New ed.). Cambridge: Cambridge University Press. ISBN 0-521-61708-1.
• Burnett, Mark Thornton (2003). "'To Hear and See the Matter': Communicating Technology in Michael Almereyda's Hamlet (2000)". Cinema Journal. 42 (3): 48–69. doi:10.1353/cj.2003.0007. ISSN 1527-2087. JSTOR 1225904. S2CID 191444329.
• Burrow, Colin (19 May 2002). "Will the real Hamlet please stand up?". The Times. p. 6 – via InfoTrac Newsstand.
• Calia, Michael (11 August 2014). "Benedict Cumberbatch as 'Hamlet' Opens Next Year, And Is Now Sold Out". Speakeasy. The Wall Street Journal.
• Canby, Vincent (3 May 1995). "Ralph Fiennes as Mod Hamlet". The New York Times. Retrieved 21 July 2016.
• Cairncross, Andrew S. (1975) [1936]. The Problem of Hamlet: A Solution (Reprint ed.). Norwood, PA: Norwood Editions. ISBN 0-88305-130-3.
• Cartmell, Deborah. "Franco Zeffirelli and Shakespeare". In Jackson (2000), pp. 212–221.
• Cecil, William (2012) [First published in 1916]. "Ten Precepts". In Craik, Henry (ed.). English Prose, Selections with Critical Introductions by Various Writers and General Introductions to Each Period; edited by Henry Craik (Online edition by Bartleby.com ed.). New York: The Macmillan Company.
• Chambers, E. K. (2009) [First published 1923]. The Elizabethan Stage. Vol. 3. New York: Oxford University Press. ISBN 978-0-19-956750-8.
• Chambers, E. K. (1930). William Shakespeare: A Study of Facts and Problems. Oxford: Clarendon Press. ISBN 0-19-811774-4.
• Cotsell, Michael (2005). The Theater of Trauma: American modernist drama and the psychological struggle for the American Mind. New York: Peter Lang. ISBN 978-0-8204-7466-3.
• Crowl, Samuel. "Flamboyant Realist: Kenneth Branagh". In Jackson (2000), pp. 222–240.
• Crowl, Samuel (2014). Shakespeare's Hamlet: The Relationship Between Text and Film. Screen Adaptations. Arden Shakespeare. ISBN 978-1-4725-3893-2.
• "Jude Law to play Hamlet at 'home' Kronborg Castle". The Daily Mirror. 10 July 2009. Retrieved 14 July 2009.
• Davies, Anthony. "The Shakespeare films of Laurence Olivier". In Jackson (2000), pp. 163–182.
• Davison, Richard Allan (1999). "The Readiness Was All: Ian Charleson and Richard Eyre's Hamlet". In Potter, Lois; Kinney, Arthur F. (eds.). Shakespeare, Text and Theater: Essays in Honor of Jay L. Halio. Newark: University of Delaware Press. ISBN 978-0-87413-699-9.
• Dawson, Anthony B. "International Shakespeare". In Wells & Stanton (2002), pp. 174–193.
• Duncan-Jones, Catherine (2001). Ungentle Shakespeare: scenes from his life. London: Arden Shakespeare. ISBN 1-903436-26-5.
• Fine, Marshall (10 April 2013). "Paul Giamatti in Hamlet". Onstage. The Huffington Post. Retrieved 11 July 2015.
• Fox, Margalit (18 September 2009). "Jack Manning, Character Actor, Dies at 93". Theater. The New York Times. Retrieved 14 September 2013.
• Freud, Sigmond; Bunker, Henry Alden (1960). "Psychopathic Characters on the Stage". The Tulane Drama Review. 4 (3). The MIT Press: 144–148. doi:10.2307/1124852. ISSN 0886-800X. JSTOR 1124852. S2CID 149658226.
• Freud, Sigmund (1991) [1900]. Richards, Angela (ed.). The Interpretation of Dreams. The Penguin Freud Library. Vol. 4. Translated by Strachey, James. London: Penguin. ISBN 0-14-013794-7.
• Freud, Sigmund (1995) [1900]. Brill, A. A. (ed.). The Basic Writings of Sigmund Freud. Translated by Brill, A. A. New York: The Modern Library. ISBN 978-0-679-60166-1.
• Gardner, Lyn (8 November 2002). "Hamlet – West Yorkshire Playhouse, Leeds". Theatre. The Guardian. London.
• Gay, Penny. "Women and Shakespearean Performance". In Wells & Stanton (2002), pp. 155–173.
• Gilbert, W. S. (1892). "Rosencrantz and Guildenstern". Foggerty's Fairy: and other tales. London: George Routledge & Sons. Retrieved 27 June 2016.
• Gillies, John; Minami, Ryuta; Li, Ruru; Trivedi, Poonam. "Shakespeare on the Stages of Asia". In Wells & Stanton (2002), pp. 259–283.
• "About the Project". Globe to Globe Hamlet. Shakespeare's Globe. n.d. Archived from the original on 8 July 2016. Retrieved 25 July 2020.
• de Grazia, Margreta (2007). Hamlet without Hamlet. Cambridge: Cambridge University Press. ISBN 978-0-521-69036-2.
• Greenblatt, Stephen (2004a). Will in the World: How Shakespeare Became Shakespeare. New York: W. W. Norton & Company. ISBN 0-393-05057-2.
• Greenblatt, Stephen (21 October 2004). "The Death of Hamnet and the Making of Hamlet". The New York Review of Books. Vol. 51, no. 16.
• Grode, Eric (30 March 2011). "Dueling Mentors Bedevil a Dithering Young Dane". Theater Reviews. The New York Times. Retrieved 10 December 2011.
• Guernsey, Otis L.; Sweet, Jeffrey, eds. (2000). The Applause/Best Plays Theater Yearbook 1991–1992. Illustrated by Al Hirschfeld (illustrated ed.). Hal Leonard. ISBN 978-1-55783-147-7.
• Guntner, J. Lawrence. "Hamlet, Macbeth and King Lear on film". In Jackson (2000), pp. 117–134.
• Gupta, Priya (7 February 2014). "Bollywood returns to their favourite destination Kashmir". The Times of India. Retrieved 10 February 2018.
• Gussow, Mel (3 April 1992). "A High-Keyed Hamlet Starring Stephen Lang". The New York Times. Retrieved 13 July 2016.
• Gussow, Mel (14 October 1992). "Theater in Review". Theater. The New York Times. Retrieved 26 June 2011.
• Halliday, F. E. (1969) [first ed. 1964]. A Shakespeare Companion 1564–1964. Shakespeare Library. Baltimore: Penguin. ISBN 0-14-053011-8.
• Hattaway, Michael (1982). Elizabethan Popular Theatre: Plays in Performance. Theatre Production. London and Boston: Routledge & Kegan Paul. ISBN 0-7100-9052-8.
• Hattaway, Michael (1987). Hamlet. The Critics Debate. Basingstoke, Hampshire: Macmillan. ISBN 0-333-38524-1.
• Heilbrun, Carolyn (1957). "The Character of Hamlet's Mother". Shakespeare Quarterly. 8 (2): 201–206. doi:10.2307/2866964. eISSN 1538-3555. ISSN 0037-3222. JSTOR 2866964.
• Hirrel, Michael J. (2010). "Duration of Performances and Lengths of Plays: How Shall We Beguile the Lazy Time?". Shakespeare Quarterly. 61 (2). Folger Shakespeare Library: 159–182. doi:10.1353/shq.0.0140. eISSN 1538-3555. ISSN 0037-3222. JSTOR 40731154. S2CID 191661049.
• Holland, Peter. "Touring Shakespeare". In Wells & Stanton (2002), pp. 194–211.
• Holland, Peter (2007). "Shakespeare Abbreviated". In Shaughnessy, Robert (ed.). The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature. Cambridge: Cambridge University Press. ISBN 978-0-521-60580-9.
• Hortmann, Wilhelm. "Shakespeare on the Political Stage in the Twentieth Century". In Wells & Stanton (2002), pp. 212–229.
• Howard, Jean E. (2003). "Feminist Criticism". In Wells, Stanley; Orlin, Lena (eds.). Shakespeare: An Oxford Guide. Oxford Guides. Oxford: Oxford University Press. ISBN 0-19-924522-3.
• Innes, Christopher (1983). Edward Gordon Craig. Directors in Perspective. Cambridge: Cambridge University Press. ISBN 0-521-27383-8.
• Isherwood, Charles (26 March 1995). "Middle-Aged, Yet a Prince, Slouching but Haunted". The New York Times.
• Itzkoff, Dave (30 June 2009). "Donmar Warehouse's Hamlet Coming to Broadway With Jude Law". ArtsBeat. The New York Times. Retrieved 10 September 2009.
• Jackson, MacDonald (1986). "The Transmission of Shakespeare's Text". In Wells, Stanley (ed.). The Cambridge Companion to Shakespeare Studies. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 163–185. ISBN 0-521-31841-6.
• Jackson, Russell, ed. (2000). The Cambridge Companion to Shakespeare on Film. Cambridge Companions to Literature. Cambridge: Cambridge University Press. ISBN 0-521-63975-1.
• Jones, Ernest (1910). "The Œdipus-Complex as an Explanation of Hamlet's Mystery: A Study in Motive". American Journal of Psychology. 21 (1). University of Illinois Press: 72–113. doi:10.2307/1412950. eISSN 1939-8298. ISSN 0002-9556. JSTOR 1412950. S2CID 46623868.
• Kellaway, Kate (25 June 2017). "Hamlet review – an all-consuming marvel – 5 out of 5 stars". The Guardian. Retrieved 4 November 2020.
• Kerrigan, John (1996). Revenge Tragedy: Aeschylus to Armageddon. Oxford: Clarendon Press. ISBN 978-0-19-159172-3.
• Keyishian, Harry. "Shakespeare and Movie Genre: The Case of Hamlet". In Jackson (2000), pp. 72–84.
• Kiernan, Pauline (2007). Filthy Shakespeare: Shakespeare's Most Outrageous Sexual Puns (revised ed.). Quercus. ISBN 978-1-84724-073-6.
• Kirsch, Arthur C. (1969). "A Caroline Commentary on the Drama". Modern Philology. 66 (3). The University of Chicago Press: 256–261. doi:10.1086/390087. eISSN 1545-6951. JSTOR 436454. S2CID 162049086.
• Kliman, Bernice W. (Summer 2011). "At Sea about Hamlet at Sea: A Detective Story". Shakespeare Quarterly. 62 (2): 180–204. doi:10.1353/shq.2011.0025. ISSN 0037-3222. JSTOR 23025627. S2CID 192187966.
• Knowles, Ronald (1999). "Hamlet and Counter-Humanism". Renaissance Quarterly. 52 (4). Renaissance Society of America: 1046–1069. doi:10.2307/2901835. eISSN 1935-0236. JSTOR 2901835. S2CID 170767175.
• Law, Jude (2 October 2009). "Shakespeare's Hamlet with Jude Law". Charlie Rose (Interview). Interviewed by Charlie Rose. PBS. Retrieved 6 October 2009.
• MacCary, W. Thomas (1998). "Hamlet": A Guide to the Play. Greenwood Guides to Shakespeare. Westport, Connecticut: Greenwood Press. ISBN 0-313-30082-8.
• Marsden, Jean I. "Improving Shakespeare: from the Restoration to Garrick". In Wells & Stanton (2002), pp. 21–36.
• McKellen, Ian; Puttnam, David; Wax, Ruby; Redgrave, Vanessa; Bates, Alan (1990). For Ian Charleson: A Tribute. London: Constable and Company. ISBN 978-0-09-470250-9.
• Moody, Jane. "Romantic Shakespeare". In Wells & Stanton (2002), pp. 37–57.
• Morrison, Michael A. "Shakespeare in North America". In Wells & Stanton (2002), pp. 230–258.
• Morrison, Michael A. (1997). John Barrymore, Shakespearean Actor. Cambridge: Cambridge University Press. ISBN 0-521-62028-7.
• "Hamlet 1963". Royal National Theatre. n.d. Archived from the original on 11 August 2010. Retrieved 21 July 2016.
• Novy, Marianne L. (1994). Engaging with Shakespeare: Responses of George Eliot and Other Women Novelists. Athens, Georgia: University of Georgia Press. ISBN 978-0-8203-1596-6.
• O'Connor, Marion. "Reconstructive Shakespeare: Reproducing Elizabethan and Jacobean Stages". In Wells & Stanton (2002), pp. 76–97.
• Osborne, Laurie (2007). "Narration and Staging in Hamlet and its afternovels". In Shaughnessy, Robert (ed.). The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 114–133. ISBN 978-0-521-60580-9.
• Pitcher, John; Woudhuysen, Henry (1969). Shakespeare Companion, 1564–1964. London: Penguin. ISBN 0-14-053011-8.
• Rosenberg, Marvin (1992). The Masks of Hamlet. London: Associated University Presses. ISBN 0-87413-480-3.
• Rothman, Joshua (14 August 2013). "Hamlet: A Love Story". The New Yorker. Retrieved 20 July 2016.
• Rowse, A. L. (1995) [1963]. William Shakespeare: A Biography. New York: Barnes & Noble Books. ISBN 1-56619-804-6.
• Sams, Eric (1995). The Real Shakespeare; Retrieving the Early Years, 1564-1594. Yale University Press. ISBN 978-0300072822.
• Saxo Grammaticus (1983). Hansen, William (ed.). Saxo Grammaticus and the Life of Hamlet: A Translation, History, and Commentary. Lincoln: University of Nebraska Press. ISBN 0-8032-2318-8.
• Schoch, Richard W. "Pictorial Shakespeare". In Wells & Stanton (2002), pp. 58–75.
• Schultz, David G. (16 July 2008). "A Play at Poolside: Caridad Svich's 12 Ophelias". The Brooklyn Rail. Retrieved 26 June 2011.
• Shapiro, James (2005). 1599: A Year in the Life of William Shakespeare. London: Faber. ISBN 0-571-21481-9.
• Shaw, George Bernard (1961). Wilson, Edwin (ed.). Shaw on Shakespeare. New York: Applause. ISBN 1-55783-561-6.
• Shenton, Mark (10 September 2007). "Jude Law to star in Donmar's Hamlet". The Stage. Retrieved 19 November 2007.
• Showalter, Elaine (1985). "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism". In Parker, Patricia; Hartman, Geoffrey (eds.). Shakespeare and the Question of Theory. New York and London: Methuen. pp. 77–94. ISBN 0-416-36930-8.
• Small, Alan (19 April 2019). "International Magazine Recalls Reeves' Reign As Hamlet". Winnipeg Free Press. Retrieved 26 November 2022.
• Smallwood, Robert. "Twentieth-century Performance: The Stratford and London Companies". In Wells & Stanton (2002), pp. 98–117.
• Spencer, Charles (10 November 2011). "Hamlet, The Young Vic Theatre: review". The Daily Telegraph. Archived from the original on 10 January 2022. Retrieved 18 March 2019.
• Starks, Lisa S. (1999). "The Displaced Body of Desire: Sexuality in Kenneth Branagh's Hamlet". In Desmet, Christy; Sawyer, Robert (eds.). Shakespeare and Appropriation. Accents on Shakespeare. London: Routledge. pp. 160–178. ISBN 0-415-20725-8.
• Stewart, Rachel (11 August 2014). "Cumberbatch's Hamlet most in-demand show of all time". The Daily Telegraph. London.
• Sulcas, Roslyn (1 August 2017). "Kenneth Branagh to Direct Tom Hiddleston in Hamlet". Theater. The New York Times. Retrieved 21 December 2017.
• Tanitch, Robert (1985). Olivier: The complete career. Abbeville Press. ISBN 978-0-89659-590-3.
• Taxidou, Olga (1998). The Mask: A Periodical Performance by Edward Gordon Craig. Contemporary Theatre Studies. Vol. 30. Amsterdam: Harwood Academic Publishers. ISBN 90-5755-046-6.
• Taylor, Gary (1989). Reinventing Shakespeare: A Cultural History from the Restoration to the Present. London: Hogarth Press. ISBN 0-7012-0888-0.
• Taylor, Gary. "Shakespeare Plays on Renaissance Stages". In Wells & Stanton (2002).
• Thompson, Ann (2001). Alexander, Catherine M.S.; Wells, Stanley (eds.). Shakespeare and Sexuality. Cambridge: Cambridge University Press. pp. 1–13. ISBN 0-521-80475-2.
• Thompson, Ann; Taylor, Neil (1996). William Shakespeare, "Hamlet". Plymouth, UK: Northcote House, in association with the British Council. ISBN 978-0-74630-765-6. OCLC 954440601.
• Thomson, Peter (1983). Shakespeare's Theatre. Theatre Production. London and Boston: Routledge and Kegan Paul. ISBN 0-7100-9480-9.
• Todoroff, Aimee (19 March 2011). "Wittenberg". Nytheatre.com. Archived from the original on 23 October 2017. Retrieved 23 October 2017.
• Trilling, Lionel (2009). Sincerity and Authenticity. The Charles Eliot Norton Lectures. Harvard University Press. ISBN 978-0-674-50419-6.
• Uglow, Jenny (2002) [1977]. Hogarth: A Life and a World (New ed.). London: Faber and Faber. ISBN 0-571-19376-5.
• Vickers, Brian, ed. (1995a) [1974]. Shakespeare: The Critical Heritage (1623–1692). Vol. 1 (New ed.). London: Routledge. ISBN 0-415-13404-8.
• Vickers, Brian, ed. (1995b) [1974]. Shakespeare: The Critical Heritage (1753–1765). Vol. 4 (New ed.). London: Routledge. ISBN 0-415-13407-2.
• Vickers, Brian, ed. (1995c) [1974]. Shakespeare: The Critical Heritage (1765–1774). Vol. 5 (New ed.). London: Routledge. ISBN 0-415-13408-0.
• Warren, Christopher N. (2016). "Big Leagues: Specters of Milton and Republican International Justice between Shakespeare and Marx". Humanity. 7 (3). University of Pennsylvania Press: 365–389. doi:10.1353/hum.2016.0020. ISSN 2151-4372. S2CID 159721222.
• Warren, Jim (n.d.). "Every Exit is an Entrance Someplace Else". Director's Notes. American Shakespeare Center. Archived from the original on 22 December 2015. Retrieved 20 June 2009.
• Wells, Stanley; Stanton, Sarah, eds. (2002). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. ISBN 0-521-79711-X.
• Welsh, Alexander (2001). Hamlet in his Modern Guises. Princeton University Press. ISBN 978-0-691-05093-5.
• Wild, Stephi (1 September 2022). "Billy Howle Joined by Niamh Cusack and Mirren Mack in Hamlet at Bristol Old Vic; Full Cast Announced". BroadwayWorld.
• Wilson, J. Dover (1932). The Essential Shakespeare: A Biographical Adventure. Cambridge: Cambridge University Press. ISBN 9780521068277.
• Winstanley, Lilian (1977) [1921]. Hamlet and the Scottish succession, Being an Examination of the Relations of the Play of Hamlet to the Scottish Succession and the Essex Conspiracy. Philadelphia: R. West. ISBN 0-8492-2912-X.
• Winter, William (26 October 1875). "Fifth Avenue Theater – Edwin Booth as Hamlet". The Drama. New-York Tribune. p. 5. ISSN 1941-0646. LCCN sn83030214. OCLC 9405688.
• Wofford, Susanne L. (1994). "A Critical History of Hamlet". Hamlet: Complete, Authoritative Text with Biographical and Historical Contexts, Critical History, and Essays from Five Contemporary Critical Perspectives. Boston: Bedford Books. pp. 181–207. ISBN 0-312-08986-4.
• Zhuk, Nataliia (2 September 2017). "Tom Hiddleston in Hamlet review: A Supremely Self-Assured Prince – Rada's Jerwood Vanbrugh Theatre". The Telegraph. ISSN 0307-1235.