A Fading Reflection College
In James Baldwin’s Giovanni’s Room, the protagonist David grapples with his homosexuality, a part of him that he continually denies, and subsequently fails to repress. As David deals with his identity, he looks for and finds himself, his literal image, in mirrors, windows, and other reflective surfaces. This motif is symbolic of David’s split life, and his growing self-awareness. One of the clearest, and perhaps most poignant, examples of this motif occurs in the extended metaphor in the first and the last pages of the book, where David gazes into a window at his reflection on the day of Giovanni’s execution. These two connected scenes, and his disappearing reflection at dawn, represent the collision of his two selves as his life falls apart, and the ultimate union of the two conflicting versions of David into one broken, but unitary, man.
The first reference to this extended metaphor appears almost immediately. Though David is recounting the story in a flashback, the reader only knows the narrator through what has been said early in the book, and thus this early reflection of David represents the David of the exposition (3). This David is fully immersed in heterosexual culture, complete with a fiancée on her way back from...
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