Framing, Perspective, and the Reader's Immersion: Structural Analysis of Ethan Frome 10th Grade
Since its first publication in 1995, The Lord of the Rings by J.R.R Tolkien is, arguably, the greatest epic fantasy to ever be written. Encapsulating the classic theme of “good against evil,” along with its various subplots and well-developed characters; the novel’s depth and rich details make it a timeless piece of literature. However, the story’s true success lies in its exemplary balance between realism and fantasy. To achieve this dimension, Tolkien structures his novel through frame narrative-- a story within a story in which the narrator provides both a context and history of the inner narrative. In the prologue of the The Lord of the Rings, a historical frame is developed when Tolkien addresses “The Red Book of Westmarch”, a theoretical and encompassing frame for all the stories of Middle Earth, including The Lord of the Rings. This putative outer frame, which is supposedly Tolkien's source of narration, is imperative to the novel’s success and acclamation. It represents the greater realities of Middle Earth, the multilateral perspectives, and adds ample amount of depth to his already complex fantasies. Through the use of this device, readers are enabled to relate to such an imaginative universe. Likewise, in Edith...
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