Dressing Up for the Carnival Literary Elements

Dressing Up for the Carnival Literary Elements

Genre

Fiction, Short Story

Setting and Context

Set in an unspecified small village, the stories span the course of a day

Narrator and Point of View

Third-person unnamed narrator, which allows the reader to have no limits on the perspective of the short stories, and gives access to each character's individual thoughts and feelings.

Tone and Mood

The tone is quirky, moving from joyous to melancholic without warning. The mood is meditative and questioning.

Protagonist and Antagonist

Tamara and Mr Gillman are the protagonists. Society's pressure and demands are the antagonists.

Major Conflict

Each short story focuses on a character who has an individual conflict between their own identity and the way in which they feel society forces them to present themselves.

Climax

When the young lady discovers her violin case, and she is suddenly relieved of all the problems she had experienced with her confidence.

Foreshadowing

When Wanda pretends that being a mother is everything that she ever wanted, it is foreshadowing of the struggles that she will experience when she actually has a baby.

Understatement

At the beginning of the short stories, Tamara's difficulty with expressing herself is understated and is only truly revealed at the end when she wears the bright, extravagant clothes.

Allusions

The short stories allude to the pressure that is placed on each individual by our society, and the negative impacts such harsh expectations can bring.

Imagery

The imagery of only the harmful effects of ageing in the description of Mr Gillman, rather than the wonderful life experience has had.

Paradox

Mr Gillman purchases a bouquet of flowers in an attempt to win over his new daughter-in-law but fails to give them to her as he becomes distracted by a sudden sense of fame.

Parallelism

There is a parallel between the imaginary world that the unnamed old man creates for himself and the conflicted world that Tamara immerses herself into at the start of the short story.

Metonymy and Synecdoche

N/A

Personification

N/A

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