Couple in the Cage: Two Undiscovered Amerindians Visit the West

References

  1. ^ Fusco, Coco (2012). "Still in the Cage: Thoughts on "Two Undiscovered Amerindians," 20 Years Later". BlouinArtInfo. Retrieved 2018-06-22.
  2. ^ a b c Lopez, Mia (October 14, 2014). "A History of Revisionism: Contemporary Art and Columbus/Indigenous People's Day". Walker Art Center (Blog). Retrieved 2016-12-06.
  3. ^ a b c d e f g h i j k l m n o p q Fusco, Coco (1994-01-01). "The Other History of Intercultural Performance". TDR. 38 (1): 143–167. doi:10.2307/1146361. JSTOR 1146361.
  4. ^ a b c d Rago, Carmela. "Specimens From the New World". Chicago Reader. Retrieved 2016-12-12.
  5. ^ a b c d e Gomez-Pena, Guillermo (February 24, 1992). "Guillermo Gomez-Pena & Coco Fusco The Year of the White Bear: Take One". Retrieved October 11, 2016.
  6. ^ a b c d Sommers, Pamela (1992-10-20). "PERFORMANCE". The Washington Post. ISSN 0190-8286. Retrieved 2016-12-06.
  7. ^ a b c d e f g h i "BOMB Magazine — Coco Fusco and Guillermo Gómez-Peña by Anna Johnson". bombmagazine.org. Archived from the original on 2016-12-24. Retrieved 2016-12-06.
  8. ^ Chang, Jeff (October 21, 2014). Who We Be: A Cultural History of Race in Post-Civil Rights America. New York, NY: St. Martin's Press. p. 151. ISBN 1250074894.
  9. ^ Leetberg, Ilmar (2012-02-19). "The savage art of the human zoo". The Australian. Retrieved 2016-12-12.
  10. ^ "A Brief History of the Whitney Biennial, America's Most Controversial Art Show". Artspace. Retrieved 2016-12-12.
  11. ^ KNIGHT, CHRISTOPHER (1993-03-10). "ART REVIEW : Crushed by Its Good Intentions : Under the banner of opening up the institutional art world to expansive diversity, the Whitney Biennial has in fact perversely narrowed its scope to an almost excruciating degree". Los Angeles Times. ISSN 0458-3035. Retrieved 2016-12-11.
  12. ^ Kirshenblatt-Gimblett, Barbara (Summer 1998). "The Ethnographic Burlesque" (PDF). The Drama Review: A Journal of Performative Studies. 42 (2): 179.
  13. ^ Smith, Roberta (1993-03-05). "AT THE WHITNEY, A BIENNIAL WITH A SOCIAL CONSCIENCE". The New York Times. ISSN 0362-4331. Retrieved 2016-12-13.

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