Brazil

Legacy

Film

Other films which have drawn inspiration from Brazil's cinematography, art design, and overall atmosphere include Jean-Pierre Jeunet's and Marc Caro's films Delicatessen (1991) and The City of Lost Children (1995),[68] Rocky Morton and Annabel Jankel's Super Mario Bros. (1993), the Coen brothers' The Hudsucker Proxy (1994), and Alex Proyas's Dark City (1998).[69][70][71]

The production design and lighting style of Tim Burton's Batman (1989) have been compared to Brazil.[72] Tim Burton and production designer Anton Furst studied Brazil as a reference for Batman.[73]

The ending of Neil Marshall's The Descent (2005) was greatly inspired by Brazil's, as Marshall explained in an interview:

The original ending for Brazil was a massive inspiration for the original ending of The Descent – the idea that someone can go insane on the outside, but inside they've found happiness.[74]

Jupiter Ascending (2015) features a scene deliberately designed to resemble the bureaucracy in Brazil, featuring Terry Gilliam in a cameo role and a reference to a "statute 27B-stroke-6".

Star Wars: The Last Jedi (2017) was also heavily inspired by Brazil, both in its production design and its themes. The planet of Canto Bight is aesthetically similar to Brazil. Both films also share several themes, showing the ambivalence of the wealthy in the face of a world falling apart and a society unaware of the conflict surrounding them.[75] A direct reference to the film can be heard when Finn and Rose are arrested for Parking Violation 27B/6, a nod to form 27B/6 without which no work can be done by repairmen of the Department of Public Works.[76]

Television

Production design of the Time Variance Authority depicted in the Disney+ series Loki was inspired by the "fun sci-fi bureaucracy" and dystopian design elements of Brazil's Ministry of Information.[77]

In the Rick and Morty episode "The Ricklantis Mixup", the ending of Brazil is referenced through a subplot involving a character attempting to escape the wafer factory where he works. He is captured, but lives with the illusion he has escaped, as with Lowry.[78]

Technology

The highly technological aesthetics of Brazil inspired the set design of Max Cohen's apartment in the film Pi.[79] Brazil also served as an inspiration for the film Sucker Punch (2011),[80] and has been recognised as an inspiration for writers and artists of the steampunk subculture.[81][82][83]

The dystopian premise of the 2018 video game We Happy Few was largely inspired by Brazil.[84][85]


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