Amerika Themes

Amerika Themes

Meaning and vocation

Kafka's Amerika deals not only with the existential question whether or not life is meaningful, but he also studies man's professional life and how that interacts with his search for meaning. The study of an immigrant finding work is a poignant metaphor for someone walking in absurd lands that are difficult to navigate.

But it isn't enough to find meaning in life; one also has to earn a living, usually in ways that don't help provide much meaning to life. Consider for example Brußmann's job at the Hotel Occidental operating the lift. This is not a job that adds value to his life. Another example is the stoker, who is employed in a way that provides mobility to others, but the job of a stoker is done in alone in a room that never changes. Both Brußmann and the stoker earn money giving mobility to others while they themselves struggle along the underbelly of society. 

There might be hope though, as Brußmann escapes the literal traps of his employment for Brunelda and pursues a job in the performing arts. Kafka, an artist, portraying his main character as being redeemed by art is meaningful, even though Brußmann is not actually employed as a performer. Perhaps the arts provide some solice for the disenfranchized. 

Absurdity

One would be remiss not to follow a thematic discussion about meaning with one about absurdity. The subtle undertone of Kafka's literature is one of frustration. That frustration stems from a lack of meaning in liife. This theme is emphasized by the frustrating, repetitious work that the characters in the novel find in the city. 

The great irony of the piece is that the teen does not use his relationship with his wealthy uncle or with the wealthy Brunelda to his advantage. This could be viewed as a type of humility, but it seems more like Brußmann does not even consider the options as viable in his pursuit. 

Another interesting irony is that the wayward teen not only eshews good company--he welcomes bad company with an absurd sense of forgiveness and selflessness. These frustrating ironies are employed to highlight the central argument of the book: that meaning is not found in advantage and wealth, and it might not even be found in good company or in family settings. Meaning might be elusive--or else it might not exist. 

The American Dream

The American dream is not heralded in Amerika. It's not even really attempted in any serious way. The American Dream is reduced to survival and a search for meaning. When Brußmann accidentally meets a successful man who is a relative of his, neither the relative nor he attempt to make much of this family connection. This does not show the higher man lifting up the youthful wayward teen, as would be classically expected in the story. 

Additionally, the teen consistantly chooses to vouch for the underdog instead of maintaining his job-security. He chooses to help Robinson although it costs him his job, and even in the beginning of the plot, he seeks to help the stoker who has fallen on bad times. But that doesn't equate to the American Dream. In fact it seems to imply that doing the right thing, being a humble person is exclusive to one's own success. 

The plight of the underdog

The poor and needy are often heeded as Brußmann as being especially worthy of help, even though the two main representatives of the class, the wanderers, eat his food in front of him and steal from his belongings. Nevertheless he finds himself in their company, not in the company of his politican uncle, and not hired at a steady job. He picks servitude to the lowly instead of servitude to the lofty. 

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