At the time of the book's publication, Kirkus Reviews said, "The audacity of Ms. L'Engle's mytho-scientific imagination and her undoubted storytelling abilities keep the reader involved in Meg's quest, but one wonders whether its chief appeal doesn't lie in the all too natural desire to believe that our difficulties, like the Murrys', are personal attacks by the forces of cosmic evil... Unfortunately, Meg learns to love the universe with unconvincing ease, and L'Engle seems to be straining unusually hard to relate what's wrong with America to the double-talk phenomenon of mitochondria and farandolae."[6] Michele Murray wrote in The New York Times, "Madeleine L'Engle mixes classical theology, contemporary family life, and futuristic science fiction to make a completely convincing tale that should put under its spell both readers familiar with the Murrys and those meeting them for the first time."[7] In a 2012 essay for Tor.com, American author and critic Mari Ness wrote, "This is L'Engle at the height of her poetic powers, and the failure of this book to receive the same attention and fame as its predecessor is a genuine shame."[8]
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