A Doll's House
Gender and Theatricality in A Doll's House
The play A Doll’s House, by Henrik Ibsen, offers a critique of the superficial marriage between Nora and Torvald Helmer. Written in 1879, the play describes the problems which ensue after Nora secretly and illegally takes out a loan from a local bank in order to save Torvald’s life. Throughout the play, the delicate relationship between Nora and Torvald is based largely upon the enactment of conventional gender roles. For example, Torvald plays the part of the masculine hero, vowing always to shield his helpless wife from harm, while Nora plays the submissive wife who relies upon her husband’s opinions as her own. Through the performances of these roles, A Doll’s House challenges the traditional notion of gender, implying that gender is not the result of biology but is instead a part one plays in order to fulfill the demands of society.
At the time A Doll’s House was written, the patriarchal society of the nineteenth century dictated the social standards for both men and women. Men were seen as leaders; they ran businesses and governments, made the important decisions, and served as the protectors of the weaker members of society, the women and children. Throughout the play, Torvald appears to take on the characteristics of...
Join Now to View Premium Content
GradeSaver provides access to 893 study guide PDFs and quizzes, 7013 literature essays, 1927 sample college application essays, 289 lesson plans, and ad-free surfing in this premium content, “Members Only” section of the site! Membership includes a 10% discount on all editing orders.
Already a member? Log in